Classic Kiwi play Joyful and Triumphant followed the Bishop family over four decades, from 1949 to 1989. Written by Robert Lord, it charted changes in New Zealand society by focusing on the minutae of Christmas Day family dynamics. The play was first performed to sellout audiences in 1992, a month after Lord died. It won multiple Chapman Tripp Theatre Awards. Directed by Peter Sharp (The Fire-Raiser), this TV adaptation features Robyn Malcolm and Goodbye Pork Pie's Tony Barry — plus Catherine Downes and Bruce Phillips, who both appeared in the original production.
Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.
This documentary looks at the construction of a replica of the HMS Bounty, in Whangerei. The ship was commissioned to be built for a David Lean (Lawrence of Arabia) film of the famous mutiny. Fidelity to the original is paramount, except the 20th Century edition has a steel hull. Construction of the boat carries on regardless of uncertain fortunes of the film, as producer Dino De Laurentiis and David Lean part ways. The Lean film was ultimately unmade after financing faltered, but the boat went on to star in Kiwi director Roger Donaldson's film of the story.
The early life of Dame Whina Cooper, one of the most influential Māori leaders of the 20th century, is explored in the first episode of this two-part TVNZ profile. The inspirational leader of the 1975 Māori land march was born in Hokianga in 1897. She recalls her first protest at age 18, working with her people to improve their land (spurring them on with a whistle given to her by Sir Apirana Ngata) and becoming a pig breeder (with aid from Princess Te Puea). She also reminisces about a Tuhoe leader who gave new meaning to the idea of fiery oratory.
In this second part of a documentary on Kiwis and cars, host Rita Te Wiata explores motoring in the latter half of the 20th Century. She begins in Christchurch where Ford V8s were a vehicle for post-war romance, then heads to Tahuna for beach racing. Te Wiata pockets the licence she supposedly got in part one and heads to Raglan to look at the car-enabled freedom of the 60s and 70s: surfing, fishing, caravans. While downsides are mentioned (motorways, pollution, accidents), mostly it’s a paean to petrolhead passion. The tour ends with a cruise up Queen St in a muscle car.
Dame Whina Cooper was one of the most influential Māori leaders of the 20th century. She spent most of her life fighting for land rights; and, in this episode from a two-part TVNZ profile, she explains the importance of the land to her people. The former Panguru storekeeper first came to national attention in 1951 when she established the Māori Women’s Welfare League. At age 80, she was back in the spotlight leading the Māori land march; her fire and determination are very much in evidence in a heated address to then Prime Minister Robert Muldoon.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.
Expat Kiwi Rewi Alley became one of the best known foreigners in 20th Century China and advocate for the Communist Revolution. When China was under siege from Japan in the late 1930s, Alley instigated an industrial co-op movement he termed ‘gung ho' (work together). Its success led to the phrase entering the global idiom. For this documentary a Geoff Steven-led crew travelled 15,000km in China in 1979, filming Alley as he gave his account of an engrossing, complex life story. Co-writer Geoff Chapple later wrote a biography of Alley.
This short documentary series looked at New Zealand's landscape art from the arrival of Pākehā up until the 1980s. The four episodes moved from the development of a local version of the European tradition (through artists such as John Gully and Petrus van der Velden) through to the homegrown modernism emerging in the 20th Century: the distinct hard-edged styles of Binney, White and Smither, the spiritual abstracts of McCahon and Woollaston, to the later impact of Māori artists like Hotere, Whiting and Kahukiwa.
This NFU film goes for a ride on the ferries of the Waitematā. Shots of mooring ropes and rusted chains precede a steamer chugging under the object that made many of its companions obsolete: the Auckland Harbour Bridge. By 1973 steam power had been superseded by petrol power. Archive footage and stills stoke nostalgia as old-timers reminisce about bygone days on the harbour; a time when ferries were the main mode of transport from downtown to the North Shore and beyond. The soundtrack is a compilation of early 20th Century dixieland standards.