This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
Nature documentary A Flock of Students captures footage of a species rarely caught on camera: a colony of young human 'freshers' who have migrated south to Dunedin. Over footage of nesting, university pie-eating contests and social gatherings, narrator Sydney Jackson provides insights into student display rituals, social groupings and early, "somewhat unfocused" attempts at courtship. As winter bites, temperatures fall below zero, and the male of the species builds up resistance by exposing itself to all available germs. David Kilgour (The Clean) provides the music.
This homegrown Erin Brockovich story follows former Whakatāne sawmill worker Joe Harawira and his long battle to reveal the impact that workplace toxins have had on his community. In the 80s after being afflicted by health issues, Harawira noticed co-workers getting sick. In 1988 he helped found SWAP (Sawmill Workers Against Poisons) and began investigating the effects of exposure to dioxins, a by-product of timber treatment. The Joe versus the mills crusade screened on Māori Television, and won Best Popular Documentary at the 2012 NZ Television Awards.
Sam Hunt is New Zealand’s best known and most visible contemporary poet; and, in an archive excerpt from this feature length documentary, Ginette McDonald calls him “the most impersonated man in New Zealand”. Director Tim Rose, who has known Hunt since he was a boy, decided too little was known about him beyond his flamboyant, public persona. So Rose spent four years making this documentary — mixing a wealth of archive material with interviews with Hunt, and those who know him best, and new footage of him reading his work and performing with David Kilgour.