Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
In this children's fantasy drama, the everyday trials of teenager Jo Tiegan — school, an archaeological dig — are soon forgotten as a mysterious antique mirror sends her back in time to her house in 1919. There, Jo (Australian actor Petra Yared) encounters 14 year-old Louisa Airdale (Michala Banas). In the time honoured tradition of time travel tales, Jo's excursion threatens alarming present day consequences. The award-winning trans-Tasman co-production was created by Australian Posie Graeme-Evans (who devised TV shows Hi-5 and McLeod's Daughters).
Made to mark 100 years of women's suffrage in New Zealand, Bread & Roses tells the story of pioneering trade unionist, politician and feminist Sonja Davies (1923 - 2005), who rose to prominence in the 1940s and 50s. Directed by Gaylene Preston and co-written by Graeme Tetley, the acclaimed three-hour production played on television screens, and also got a limited cinema release. Australian actor Geneviève Picot (as Sonja Davies) and Mick Rose (as her husband) won gongs for their roles at the 1994 NZ Film and TV Awards. Bianca Zander writes about Bread & Roses here.
Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.