In this excerpt from the 1996 TV One arts series, presenter Alison Parr interviews the NZ Film Commission's longtime marketing director Lindsay Shelton about the international success of Kiwi films. Shelton attributes the recent popularity of Once Were Warriors and Heavenly Creatures to Kiwi stories being different and new — "everything in our films was unexpected". Roger Donaldson, Geoff Murphy, Jane Campion and Peter Jackson are mentioned, with special note of Jackson's "confidence and wish" to stay in New Zealand's "tiny as well as fragile" film industry.
Kiwi avant-garde artist and musician Phil Dadson is the subject of 80-minute documentary Sonics from Scratch. Dadson has conjured sounds and experimental films from all manner of objects and locales. The documentary charts his love affair with sound, including performances with From Scratch, who created percussive music from PVC pipes. Among those appearing are some of the group's rotating ensemble of members, including Don McGlashan and cinematographer Leon Narbey. Sonics from Scratch screened at the 2015 New Zealand International Film Festival.
Gregor Nicholas explores the outer edges of obsession in this deliciously fruity comedy. The syncopated medley of music, strange noises and varied eccentrics doing their special thing shares similarities with a fondly-recalled scene in cult film Delicatessen; though Delicatessen was yet to emerge when this short film first debuted. Rushes played in multiple festivals, including the prestigious Clermont-Ferrand. The soundtrack is by ex Techtones guitarist Steve Roach. Director Nicholas followed this with another oddball romp: his feature debut User Friendly.
A dog-goddess effigy possessing aphrodisiac powers is the quarry for a cast of oddball pursuers in this caper comedy — from a cosmetics tycoon to a duo of doctors using retirees as guinea pigs in a quest for eternal youth. The dog's handler is geeky Billy, aided by his girlfriend Gus and their bull terrier Cyclops. The chaotic Auckland romp was the debut feature for Gregor Nicholas (he would go on to helm acclaimed short Avondale Dogs and feature film Broken English). This excerpt features a take on Space Odyssey's docking scene, as interpreted by Benny Hill.
Pacific 3-2-1-Zero is a record of a performance of the eponymous work by renowned percussion group From Scratch. The work was devised in 1981 as a protest against nuclear testing and waste dumping in the Pacific. Ring-leader Phil Dadson, his players and their instruments — from whirling PVC pipes to biscuit tin lids — are arranged in the shape of the peace symbol. From Scratch's rhythms are cut with footage and facts of nuclear testing by director Gregor Nicholas to make for a resonant statement. The film won the Grand Prix at Midem’s 1994 Visual Music Awards.
This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and movie Broken English. Wright passed away in 2018.
Nina (Aleksandra Vujcic) has emigrated downunder from wartime Croatia. When she falls in love with Māori cook Eddie (Julian Arahanga) and marries a Chinese man who is trying to stay in NZ, her domineering father Ivan is furious. The second movie from Gregor Nicholas remains one of the few from NZ in which Pākehā culture hardly features. The result was one of the highest-grossing NZ films of the 1990s. International reviews praised its power and strong cast — especially Croatian discovery Aleksandra Vujcic ("instantly alluring" said Janet Maslin). Vujcic won one of five NZ Film awards.
Gritty, award-winning drama, set in Auckland suburbia. Danny and Raewyn's relationship is skating close to the edge. And so are their finances. Though the physical attraction between them remains, Raewyn is growing tired of encouraging Danny to make more effort. Then one night alcohol and memory collide with an order of black-market meat, and everything turns on its head. One of the most acclaimed episodes of the About Face series, Danny and Raewyn won funding after another episode fell through.