Paul Holmes presents this third TVNZ Leaders Debate before the 2002 General Election. Prime Minister Helen Clark (Labour) talks of "keeping a good job going", while challenger Bill English (National) pitches that Kiwis "deserve better". After a campaign featuring GE corn and a controversial worm (used in the first debate), this final discussion before the election features the leaders of the two main parties arguing over "the issues that matter" (health, education, taxes, MMP machinations) in front of a half-Labour, half-National audience at Avalon's 'TVNZ election centre'.
In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.
This interview with Prime Minister John Key is taken from the January 2014 debut episode of Paul Henry’s late night TV3 show. Displaying the informal style that marked his tenure, Key banters with Henry about playing golf in Hawaii with US President Barack Obama, and responds to the hard questions, eg whether it would have been better in hindsight for John’s son Max to have not beaten the President. It’s election year and the pair discuss coalition options: the Māori Party, Peter Dunne and Winston Peters. Henry pulls out four photos, and asks which of them can be trusted.
Family, friends and former foe joined Helen Clark before the cameras for this TV3 documentary, which charts her journey from Vietnam protestor through low-polling Labour Party leader, to long-reigning PM and the UN. In this excerpt, Clark and biographer Denis Welch recall how after becoming opposition leader, Clark was advised to make various changes to her hairstyle and presentation. Featuring appearances by John Key, Don Brash and media-shy husband Peter Davis, the two-part doco was helmed by Dan Salmon and artist/director Claudia Pond Eyley.
Four-part series Revolution examined radical changes in New Zealand society in the 1980s and 1990s. This final episode sums things up, after examining "the second wave" of neoliberal reform when National took power in 1990, shortly after Telecom was sold to American interests. Incoming finance minister Ruth "mother of all budgets" Richardson oversaw a reduction of welfare payments, a shake-up of the health system, and a curbing of union powers. Richardson: "in a human sense I understood that [community outrage], but that wasn't going to deflect me".
This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.
This excerpt from the 22nd episode of Kiwi literature series The Write Stuff features unionist and peace campaigner Sonja Davies (1923 - 2005). Davies had just released Marching On, the follow-up to her acclaimed 1984 autobiography Bread & Roses. Presenter Alison Parr asks Davies about her experience in Parliament, as well as personal tragedy and gardening. Davies reflects on achieving change, her dislike for the aggression of the debating chamber, and the values her grandparents taught her: "compassion and responsibility, caring for others more than you care for yourself …"
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.