Made for the UN's first 'Earth Summit' in Stockholm in 1971, the film explores what the future holds for NZ’s environment. Director Hugh Macdonald (This is New Zealand) presents an impressionistic ecosystem: mixing shots of native natural wonder, urbanisation, and pollution with abstract montages and predictions from futurologists — such as Cousteau’s “underwater man”. Before climate change heated up 21st Century Doomsday debates, this film (made for the Ministry of Works!) places stock in individual responsibility. The score aptly enlists the French nursery rhyme ‘Are You Sleeping?’.
This 76-minute documentary looks at efforts to restore the mauri (life spirit) of Northland's Lake Omapere, a large fresh water lake — and taonga to the Ngāpuhi people — made toxic by pollution. Simon Marler's film offers a timely challenge to New Zealand's 100% Pure branding, and an argument for kaitiakitanga (guardianship) that respects ecological and spiritual well-being. There is spectacular footage of the lake's endangered long-finned eel. Barry Barclay in Onfilm called the film "powerful, sobering". It screened at the 2008 National Geographic All Roads Film Festival.
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
Campbell Live was Three's flagship current affairs programme for a decade. Despite a public campaign to save it, the show ended on 29 May 2015. This final episode presents a greatest hits reel. Alongside acclaimed reporting (Novopay, the Pike River mine disaster and collapse of Solid Energy, the 2011 Christchurch Earthquake) there are campaigns for healthy school lunches, and to get the All Blacks to play in Samoa; plus marvellous moments like the 2011 Rugby World Cup final. An emotional John Campbell tautokos his team, and signs off: "Ka kite anō and a very good evening indeed."
Musician, DJ and accomplished sailor Andrew Fagan heads to Indonesia with guitar in hand — plus some miniature sail boats. The trip includes an active volcano, a dodgy riverboat, the peaceful vibe of an Islamic festival, and some catchy Fagan tunes. The result is a standout episode, thanks partly to an enthusiastic and straight-talking host: a man who makes the most of each moment, without turning his head away from the realities of poverty, or the after-effects of terrorist bombing. Warning: animal lovers may want to avoid certain scenes.
Haunui Royal directs this 1999 documentary on the people who live in the Far North, and their guardianship (kaitiakitanga) connection with the land and sea. Royal looks at how this traditional ownership is under pressure: from urban sprawl, pollution, and changing land use. Kaitiaki include farmer Laly Haddon, fisherman Rick, paralegal Ani Taniwha (whose work with ōi (shearwater) helped deepen her connection to the land); Ngāti Kuri members looking after Te Rerenga Wairua (Cape Reinga), and a group of rangatahi from Auckland.
Anton Oliver, the thinking person's All Black, travels to Nepal to experience the Annapurna Sanctury and walk the famous Annapurna Circuit. Oliver is the ideal candidate for a journey that requires fitness of body and soul. In this particularly intrepid journey, Oliver's experiences range from poverty and pollution to the heights of ancient Himalayan trekking routes. Oliver hooks [sic] the viewer into the places he visits with insightful and entertaining meditations on the unique culture and environment.
In this second part of a documentary on Kiwis and cars, host Rita Te Wiata explores motoring in the latter half of the 20th Century. She begins in Christchurch where Ford V8s were a vehicle for post-war romance, then heads to Tahuna for beach racing. Te Wiata pockets the licence she supposedly got in part one and heads to Raglan to look at the car-enabled freedom of the 60s and 70s: surfing, fishing, caravans. While downsides are mentioned (motorways, pollution, accidents), mostly it’s a paean to petrolhead passion. The tour ends with a cruise up Queen St in a muscle car.