At the age of eight, filmmaker Robyn Paterson (white) and her best friend Mercy (black) greeted Comrade Robert Mugabe with flowers at a Zimbabwe air-force base. They became poster children of the new Zimbabwe. But the country was soon to descend into turmoil under Mugabe’s rule, and Paterson’s family was forced to flee to New Zealand. This documentary traces Paterson’s return to her birthplace a generation later, and a high-risk undercover search to find the fate of her childhood friend. Mercy won Paterson the Best Emerging Director Award at 2013 DocEdge Festival.
It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”
This film documents the influential 1979 New Zealand tour of a black theatre group from London arts centre Keskidee. They visit marae, perform at The Gluepot, prisons and youth centres; meet gang members, Ratana ministers and a young Tame Iti; and korero about roots and fights for rights. The made-for-TV film was directed by Merata Mita and Martyn Sanderson. On the tour Sanderson met his future wife, Kenyan actor Wanjiku Kairie. Tour instigator Denis O’Reilly argued in 2009 that the doco is “full of insights at a time of huge social and cultural shifts in Aotearoa.”
In 2006 the two-year long Pasifika Styles exhibition launched at Cambridge University’s Museum of Archaeology and Anthropology. The show was ground-breaking for confronting the contentious origins of the museum's Pacific artefacts, by inviting 15 contemporary Māori and Pacific artists over to show works and "revitalise the taonga" already on display. Shown on Māori Television, this documentary follows two of the artists, George Nuku and Tracey Tawhiao, from K Road to the cloisters of Cambridge to collaborate with objects, curators, fellow artists and scholars.
This post-war Weekly Review boards a RNZAF Dakota flying “the longest air route in the world”: a weekly 17,000 mile ‘hop’ taking mail to Jayforce, the Kiwi occupation force in Japan. Auckland to Iwakuni via Norfolk Island, Australia (including a pub pit-stop in the outback), Indonesia, the slums of Singapore, Saigon, Hong Kong; then Okinawa, Manilla and home. Director Cecil Holmes’ pithy comments on postcolonial friction and rich and poor avoided censorship, but won a warning not to rock the boat. The next year he was controversially sacked from the National Film Unit.
Hokonui Todd is a portrait of African statesman Sir Garfield Todd (1908 - 2002). Todd was an outspoken supporter of black right to self determination in Rhodesia (which became Zimbabwe in 1980, after a bloody civil war). Here Todd and wife Gracie reflect on their lives: from their "egalitarian" New Zealand upbringing; their arrival in Rhodesia as missionary farmers; Todd's time as Prime Minister; being imprisoned by Ian Smith's racist white regime (along with daughter Judith); to emerging as a "conscience of the country" burdened with postcolonial troubles.