In this excerpt from James Belich's high-rating Aotearoa history series, the focus returns to Taranaki, where charismatic chief Tītokowaru had been promoting peace. But settler demands for land and confiscations exhaust his goodwill, and he declares war. Vastly outnumbered, Titokowaru embarks on a devastatingly effective guerrilla campaign, which is aimed at provoking his foes to attack him on his terms. As emotions rise, Tītokowaru's war escalates with the attack on Turuturumōkai Redoubt, an act of cannibalism, and his taunt "I shall not die ..."
For this 2015 Marae DIY episode, presenters Ria Hall and Te Ori Paki travel deep into Tūhoe territory to makeover the unique Maungapōhatu marae. The settlement was established by prophet Rua Kenana in 1907, beneath the sacred mountain of Maungapōhatu. The remote location means the Tamakaimoana people have had to embody the DIY of the show’s name. The team uncover relics of Kenana’s circular parliament, gather native bush seasoning for the hangi, and face mud and rain, horses wandering onto the marae, and getting concrete mixers up the steep mountain.
The series Pounamu focused on the lives and deeds of Māori who played vital roles in the history of Aotearoa, including Te Kooti, Te Puea, Te Whiti, Āpirana Ngata, Guide Rangi and others. Made by the Māori Programmes Department of TVNZ, this episode features a re-enactment of part of the life of Prophet Tahupōtiki Wiremu Rātana (1873 - 1939). Ratana was a key influence in Māori politics and religion. For years virtually all Māori MPs were followers of the Ratana faith and supported the Labour Party on his instruction. The influence of Rātana remains strong.
This much praised documentary revisits the subject of a film Vincent Ward made in 1978, aged 21. That film, In Spring One Plants Alone, told the story of 80-year-old Puhi, who lived with her schizophrenic son in the isolated Urewera. The follow-up — part detective documentary, part historical reenactment — focuses on Puhi's life. She married the son of Māori prophet Rua Kenana, had 14 children, and after a run of tragedies, believed herself to be cursed. This excerpt goes “way out there in the bush” to the Maungapohatu community where Rua “made the city of God on Earth”.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
This third episode of Mike King’s Treaty series heads north. After the 43 signatures at Waitangi on 6 February 1840, Queen Victoria decreed that more were needed for the Treaty to gain legitimacy, and Governor Hobson took the Waitangi Sheet to the people. King talks to Professor Pat Hohepa about the role of missionaries, and his tīpuna Mohi Tawhai. He visits key Northland locales — where he hears of anti-Treaty Pākehā like ‘Cannibal’ Jack Marmon — and meets a descendant of Nopera Panakareao, who recalls his ancestor’s famous shadowy reading of the Treaty.
This series of portraits of Māori kaumatua, by Toby Mills and Moana Maniapoto, won Best Māori Programme at the 2000 NZ TV Awards. In this first episode, Kaa Rakaupai reminisces about catching crayfish with socks; master carver Paki Harrison spurns his family to follow his ambitions; Tawhao 'Bronco' Tioke's grandfather was jailed with prophet Rua Kenana; and Joan Mohi muses on being Pākehā and Māori. The millennial morehu ('survivors') talk of hopes for tamariki, and lament lost traditions — but not the bad old schooldays when they were forbidden to speak te reo.
This excerpt from the final part of James Belich's award-winning history series focuses on Tūhoe prophet Rua Kēnana — the target of the last action of the New Zealand Wars in 1916, 73 years after hostilities began. He creates an independent community at Maungapōhatu in the Ureweras, complete with a remarkable meeting house. But any whiff of domestic dissent is intolerable for a Government fighting a war overseas. Armed constabulary are sent to apprehend Rua on trumped up charges, with fatal results for two of his followers.
Set in the East Coast town of Whāngārā, Whale Rider tells the tale of a young Māori girl, Pai (Keisha Castle-Hughes), who challenges tradition and embraces the past in order to find the strength to lead her people forward. Directed and written by Niki Caro, the film is based on Witi Ihimaera's novel The Whale Rider. Coupling a specific sense of place and culture with a universal coming-of-age story, Whale Rider became one of the most successful and acclaimed New Zealand films released internationally. It also won audience choice awards at the Sundance and Toronto Film Festivals.