This 1997 Inside New Zealand documentary looks at the evolution of modern Māori political activism, from young 70s rebels Ngā Tamatoa, to Te Kawariki's protest at Waitangi Day in 1995. Directed by Paora Maxwell, it is framed around interviews with key figures (Syd Jackson, Hone Harawira, Ken Mair, Mike Smith, Annette Sykes, Eva Rickard, Joe Hawke). The interviewees explore events, and the kaupapa behind their activism, from thoughts on sovereignty, and the Treaty of Waitangi, through to symbolism (tree felling, land marches) and being kaitiaki of the environment.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
This award-winning Candle Wasters web series mixes A Midsummer Night’s Dream with a teen house party. In the first two episodes, Puck (Meesha Rikk) hits the party in time to witness a showdown, while Lena (Kalisha Wasasala) worries about when to make a romantic move. Then Puck crashes a young activists’ meeting — inspired by the original play's comical Mechanicals — in the bedroom of Petra (Thomasin McKenzie from Leave No Trace). The third Shakespeare adaptation by The Candle Wasters added NZ On Air funding and "token dude" Robbie Nicol to the creative team.
Michael Firth's feature film tells the story of writer and educator Sylvia Ashton-Warner, as she forges her visionary philosophy of “organic teaching” while teaching Māori children at an isolated school in the 1940s. Taking in romance and struggle, the drama was widely praised: Village Voice named it one of the 10 best films of 1985, while critic Andrew Sarris found “the intensely interacting performances" of the four principals "nothing short of breathtaking”. The film is based on Ashton-Warner’s books Teacher and I Passed This Way. Supporting actor Mary Regan won a GOFTA award.
In the 1950s thousands of Pacific Islanders came to Aotearoa to meet a labour shortage. They faced racism, and in the 1970s, notorious dawn raids by police. In 1971 a group of young gang members and students set up the Polynesian Panthers to stand up for the rights of the Pasifika community. They ran food co-ops, homework centres, and lobbied for support services. In this Dan Salmon-directed documentary, presenter Nevak Rogers explores the inspirations, events (Bastion Point, Springbok Tour) and legacy of the movement co-founded by her uncle Will 'llolahia.
This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
This star-studded short features Kiwi icon Colin ‘Pinetree’ Meads, plus Melanie Lynskey (Heavenly Creatures), 7 Days comics Dai Henwood and Steve Wrigley, Olympic shot putter Valerie Adams and All Black first five Beauden Barrett. The celebs reflect on a radical reboot of beloved Red Band gumboots by Denise L'Estrange-Corbet, from fashion label World. A deadpan Meads is alarmed by this affront to farming fashion. Co-produced by Millie Lynskey (sister of Melanie), the film took away the Viewer's Choice award at the local arm of short film event Tropfest.
Reluctant Revolutionary mines a wealth of then new interviews to trace David Lange's rise from pudgy doctor's son to lawyer, to Prime Minister leading the country through radical change. Along the way, writer/director Tom Scott asks how a man as gifted as Lange allowed his government to collapse around him after only five years in office. The film includes rare input from National leader Jim McLay (who praises Lange's wit at university), Rogernomics architect Roger Douglas, and the first television interview with Lange's second wife Margaret Pope.
In these excerpts from his last TV series — a family based sitcom — Billy T has to deal with his radical older daughter who wants to get a moko, a teenage boy trying to smuggle beer into his younger daughter’s birthday party, a defamation writ, and another tribe becoming his landlord. There are varying degrees of help from his wife (Ilona Rodgers), his aggressively dim Australian brother-in-law (Mark Hadlow) and his daughter’s painfully politically correct pakeha boyfriend (Mark Wright), as well as cameos from Temuera Morrison, Martin Henderson and Blair Strang.