Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleeping Dogs, Goodbye Pork Pie, Smash Palace) represented a vital new cultural force. The film features interviews with the major players, and clips from their movies.
Two decades before the animals of Black Sheep run amok, comes this Sunday night horror about a couple trapped in the countryside as the sheep start getting restless. In between encounters with a cheerful butcher and a man of God, we learn that New Zealand has undergone revolution: anyone who farms or harms animals is now branded a criminal. Directed by Costa Botes; scripted by poet and lawyer Piers Davies, who co-wrote Skin Deep (plus cult movie The Cars that Ate Paris, with acclaimed Australian director Peter Weir).
In Geoff Steven's Kiwi riff on the European art film, a vulcanologist (Brit character actor Nigel Davenport) roams the Volcanic Plateau accompanied by a journalist, a photographer and escapees from a cholera quarantine. Steamy philosophical musings and symbolic intent made for a marked departure from the realism of the NZ feature film renaissance (e.g. Steven’s own Skin Deep). The second feature produced by John Maynard (The Navigator), this moody allegorical tale was co-scripted by Czech writer/designer Ester Krumbachova and Czech-based Kiwi Michael Havas.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.
A plain tale about the swollen secretions of suburban love. In middle class Auckland vulnerable passions break the surface as Laura (Meryl Main from Highwater) aggressively pursues love and acceptance, finding something very like it right next door. For director Niki Caro this one-hour drama was a watershed in her career. It was her ultimate drama production before embarking on a feature film career; it screened as part of the Montana Theatre series on TV One in 1995. Plain Tastes features Marton Csokas and Kate Harcourt. Producer Owen Hughes writes about Plain Tastes here.
In this episode of the Journeys series, Peter Hayden travels west to east across two national parks and some of New Zealand's most sublime landscapes: from giant, ancient kahikatea forest to hotpools and creaking glaciers. Reflections by ecologist Geoff Park (author of Ngā Uruora) on the coast-to-mountains forest, and the exploits of early surveyor Charlie 'Explorer' Douglas are woven through Hayden's journey, ending with Hayden's personal highlight of the series: climbing Hochstetter Dome with the legendary mountaineer (and Edmund Hillary mentor) Harry Ayres.
In this episode of the Journeys in National Parks series, presenter Peter Hayden looks at the primeval, remote wilderness of Fiordland National Park. We learn of how the god Tu-te-raki-whanoa crafted the fiords out of sheer cliffs with his adze, "so the sea might run in and there'd be quiet places for people to live". On boats and along the Milford Track, Hayden traces the "memory trails" of the few who have braved the area: Māori pounamu collectors, sealers, cray fishermen, early naturalists Georg and Johann Forster, and pioneering conservationist Richard Henry.
In this series celebrating New Zealand's national parks, Peter Hayden travels through some of Aotearoa's most awe-inspiring environments. This episode — looking at the unique spiritual relationship between the Tūhoe people, and the birds and bush of Te Urewera National Park — was directed by Barry Barclay (Ngati). Barclay used his fourth cinema philosophy of indigenous filmmaking, "to tell the contemporary story of the park through their [Tūhoe] eyes". The film attracted controversy for its then exceptional use of te reo. Catherine Bisley writes about the Journeys series here.
In this five-part series, presenter Peter Hayden travels through some of New Zealand’s most awe-inspiring landscapes. The series was made to coincide with the centennial of the establishment of Tongariro, Aotearoa’s first national park (and the fourth worldwide). Hayden traverses the famous Tongariro Crossing with priest Max Mariu, volcanologist Jim Cole, park ranger Russell Montgomery, and the young Tumu Te Heu Heu. It was the first time Tumu, later paramount chief of Ngāti Tuwharetoa, had been up the maunga; the power of his experience is clear and moving.
Peter Hayden travels through some of New Zealand's most awe-inspiring environments in this five part series, made to celebrate the centenary of our first national park. This episode looks at the national park closest to our largest city and contemplates that relationship, featuring stories of life on the islands of the Hauraki Gulf. A highlight is the transfer of the rare saddleback or tieke (a lively wattlebird) from Cuvier Island to the ecological time-capsule of Little Barrier Island — "with Auckland's lights twinkling in the background". Catherine Bisley writes about the Journeys series here.