Actor Michael Hurst began life in northern England, then moved to Christchurch at age eight. In this Here to Stay episode he looks at the pervasive elements of Kiwi culture that derive from mother England — from roasts, rugby, tea and the Mini, to a language and legal system. In this excerpt Hurst fries up fish'n'chips with Ray McVinnie, stalks deer with Davey Hughes, and explores how class ideals travelled south to Mt Peel and Christ's College .... A chorus of Kiwis, including ex-All Blacks' captain David Kirk and historian Jock Phillips, ponder the influence.

Made before websites like Airbnb spurred a massive jump in homestay-style accommodation options, this documentary from 2000 visits New Zealanders who have chosen to open their houses to tourists. From Warkworth to Stewart Island, from farm stays to a gay-friendly house in Golden Bay, Kiwis talk about the positives of homestays — and the long hours. Two of the couples mention how their own relationship benefits from having visitors. Narrated by Jim Mora, The Real New Zealand was directed by Shirley Horrocks (hit documentary Kiwiana). 

Live from Auckland's Mainstreet Cabaret, this Radio with Pictures special showcases bands Coconut Rough and The Narcs. Coconut Rough open their six song set with an instrumental and close with 'Sierra Leone', after proving they're much more than one hit wonders. RWP host Karyn Hay then introduces the "high energy rock" of The Narcs. The driving keyboards of second track 'Look the Other Way' hint at how the band's sound was broadening. Label CBS released both gigs as album Whistle While You Work, which reached number 17 in the New Zealand charts. 

After being spotted by television producer Christopher Bourn at the 1966 Loxene Golden Disc Awards, Maria Dallas was asked to star in series Golden Girl, grooving and bopping through country and crossover numbers. On a WNTV-1 stairway to nowhere set, she duets on Loxene winner ‘Tumblin’ Down’ with the song’s writer Jay Epae. Her other four numbers include ‘Rustle Your Bustle’ (by Kiwi Sam Freedman), and ‘Engine Engine No 9’. Guests The Dallas Four make their TV debut with a version of doo-wop classic ‘Stay’. The band went on to provide backing vocals for pop show Happen Inn.

This Māori Television hit offers a down-home NZ Idol mixed with a little Fear Factor, as off the street talents sing three rounds of karaoke and try to win $1000. Hosts Te Hamua Nikora (Homai Te Pakipaki) and Luke Bird (The Stage - Haka Fusion) coax Lagitoa from Papatoetoe, Samantha from Pakuranga and Renee from Rotorua to belt out their favourite song. The show’s stripped back style allows lots of space for audience reactions (this time at Rotorua's night markets, and in Pakuranga). With encouragements in te reo and English, the contestants feel the fear and sing anyway.

Radio Waves revolves around an Auckland commercial radio station. In this episode, drive-time DJ Win Savage (Grant Bridger) annoys an advertiser and doesn't seem to care. Andy Anderson is a hippy ‘jock’, Alan Dale plays urbane station manager Jack in his screen debut (before finding fame on Australia's Neighbours), and the many women on staff put up with their share of stick from all that male ego. Waves was short-lived — The Bee Gees and flares weren’t enough for viewers to shut the farm gate — but its urban strivers signaled a changing face for NZ on screen.

This documentary advocates for the protection of one of the last pristine ecosystems on earth: The Ross Sea. Veteran cameraman Peter Young vividly captures the frozen wilderness — freewheeling penguins, fish and sealions under the aquamarine ice — and interviews scientists concerned at threats posed by commercial fishing (including from New Zealand-owned boats). The film confronts unsuspecting New York diners with the origins of their fish, exposing upmarket ‘Chilean sea bass’ as Antarctic toothfish. Last Ocean won Best Film at the 2013 Reel Earth Film Festival.

"Pitch Perfect meets Modern Family set on a marae" was the tagline for this 2017 Māori Television comedy/drama, about a kapa haka group that fluke their way to the national championships. This first episode shows that with seven weeks to prepare, whānaungatanga (family) will be as much of a challenge as getting it together onstage. Hori Ahipene plays dual roles as worried coach Teepz and Aunty Mavis. Roimata Fox plays kapa princess Koakoa, and actor turned director Katie Wolfe is Nanny Fanny. Press the CC box below the screen to translate occasional te reo dialogue. 

Kōrero Mai used a soap opera (Ākina) as a platform to teach conversational te reo Māori. In this fifth season opening episode, Tini (Stephanie Martin) and Quinn (Kawariki Morgan) deal with the aftermath of the previous season's climactic car crash. Presenter Piripi Taylor introduces phrases like 'Ana e tā' (yeah man!). This season of the award-winning Māori TV show had 120 episodes, screening from Monday to Wednesday, then repeated. The directors are actors Rawiri Paratene (Whale Rider) and Rachel House (Hunt for the Wilderpeople), and cinematographer Simon Raby.

Nia is an ordinary girl living in the Northland town of Tinopai. In this ninth episode, a trip to the wharf to help her Dad with some fishing provides a chance for Nia to think about how she'll feel when her best friend Hazel leaves. An imagined stay on a desert island (with a penguin for company) is interrupted when the boys turn up, seemingly up to their usual mischief. Nia's Extra Ordinary Life was made by the team behind Auckland Daze; they began filming a second series in 2015.