These New Zealanders was a magazine-style series produced by the National Film Unit and presented by Selwyn Toogood (one of his first television roles), that looked at six Kiwi locations in the 1960s. In this episode Toogood visits the North Island East Coast city of Gisborne. By 1964 improved road, rail and air links had brought about the end of Gisborne's isolation from the rest of the country. Here Toogood meets food processor James Wattie, and talks to the locals about the problems, achievements and hopes for the region.
The first episode of this sketch comedy show debuted in May 1991. Most of the skits were tested and filmed in front of a live audience. The large cast includes early appearances by a roll call of emerging talents: Kevin Smith displays his talent for accents, while frustrating a McDonalds lawyer and talking his way through customs; Vicki Walker's character Felicity crushes on Steve Parr; Danny Mulheron's self-satisfied priest Phineas O'Diddle embarrasses Hori Ahipene; and Facial DBX comedians Jon Bridges and David Downs play day-glo clad skateboarders talking digital watches.
This documentary tells the stories of the New Zealand soldiers who were part of the identity-defining Gallipoli campaign in World War I. In the ill-fated mission to take a piece of Turkish coastline, 2721 New Zealanders died with 4752 wounded. As part of research, every one of the then-surviving Gallipoli veterans living in New Zealand was interviewed, with 26 finally filmed. Shot at a barren, rocky Gallipoli before the advent of Anzac Day tourism, this important record screened on Easter Sunday 1984, and won a Feltex Award for Best Documentary.
Numero Bruno is a warts and all biography of widely popular actor, musician and counter-cultural hero Bruno Lawrence. Lawrence's intense, charismatic screen presence was key to ground-breaking Kiwi films, Smash Palace, The Quiet Earth and Utu. Directed by Steve La Hood (the veteran director’s TV swansong), this documentary features interviews with family and friends, and liberal excerpts from Lawrence's film and musical work, including performances by 70s alternative Aotearoa icons Blerta and clips showcasing his seminal collaborations with Geoff Murphy.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".