Billy Apple: enigma, con man, or artist? Being Billy Apple looks at one of New Zealand's most controversial contemporary artists: a man who changed his name, then turned himself into a brand. Director Leanne Pooley (The Topp Twins: Untouchable Girls) follows Apple's life, and looks at his work in the context of the development of conceptual art overseas. This opening excerpt from the 70-minute documentary sees Apple talking with the filmmaker about whether it is important his face is even seen on screen.
Having made a comeback after heart surgery in 1990, legendary entertainer Billy T James passed away in August 1991. Four years later that anniversary was commemorated with Billy T James - A Celebration. Hosted by Pio Terei, the special highlights some of Billy’s best moments of both comedy gold, and his vast talents as musician. Interviews with Billy T and his colleagues (including showband veteran Robbie Ratana, comedian Peter Rowley, and screen wife Ilona Rodgers) offer insight into the real man behind arguably New Zealand’s most beloved entertainer.
English singer/songwriter Billy Bragg chats with Richard Driver in this interview, shot in a pre-bus lane Manners Mall in Wellington, for TVNZ’s hippest music show. They have unlikely company in the form of Alice, an elderly passerby, and the affable Bard of Barking happily includes her in the conversation. With a rare Top 10 hit single on his hands, Bragg discusses commercialism, his brief army career, and writing both love songs and political songs. A pre-concert performance of his track ‘Days like These’, recorded at Victoria University, bookends the interview.
In this 1987 Radio with Pictures excerpt, visiting English singer Billy Bragg performs a song in the Victoria University Student Union Hall. The Bard of Barking is intercut with Wellington street scenes: pensioners, punks, and pigeon feeding in a pre-bus lane Manners Mall. Taken from album Workers Playtime (1988), Bragg’s Valentine’s Day song is far from a Hallmark card, with droll rhyming couplets telling of a bruised, but defiant lover: “For the girl with the hour glass figure time runs out very fast / We used to want the same things but that's all in the past.”
'My Old Man’s an All Black' was a big hit for the Howard Morrison Quartet in 1960. The song subverted 'My Old Man's a Dustman' to mock an apartheid South African decree banning Māori players from the touring All Blacks. In this 1990 performance, Morrison and Billy T James (months after heart surgery) update the song’s lyrics for a more recent controversy: the dropping of popular All Black captain Wayne 'Buck' Shelford. Howard ribs rugby’s supposed amateurism, and Billy T explains why Buck isn’t packing down in the scrum. The final haka includes an unexpected guest...
Directed by Peter Burger (Until Proven Innocent), this top-rating tele-feature dramatised the life story of legendary comedian Billy T James. Billy screened on 21 August 2011 as a Sunday Theatre drama on TV One, 20 years after Billy T’s death, aged just 42. Actor Tainui Tukiwaho (Step Dave) plays Billy T. Touted as revealing "the man behind the chuckle", the drama traverses Billy T’s life from childhood. This excerpt follows Billy as he reaches the peak of his career, fronting TV skits and pub stand-up. It was adapted by Briar Grace Smith and Dave Armstrong from the Matt Elliott biography.
In April 1990, Billy Taitoko James came back from years of ill health, and made a triumphant return to performing his unique brand of music and comedy. It was a last hurrah for James, whose transplanted heart gave out on him the following year, but it's a worthy swansong. His unique brand of humour is captured at its affable, non-PC, best, with Billy T giving everything he's got — every gag is rounded off with his trademark 'bro' laugh — a loudly appreciative audience. NZ On Screen has two excerpts. Guests include Sir Howard Morrison. Read more about Billy T and the show here.
In this documentary Cherie James pays tribute to New Zealand’s best-loved entertainer, telling Billy T James story from a daughter’s perspective. Performers who worked with Billy in his showband The Maori Volcanics also share their memories, as do family members who reminisce about Billy's early life growing up in the Waikato. Cherie provides her perspective on the well-publicised arguments that occurred after his death and why it was so important for Billy to be buried beside his mother on the sacred Taupiri mountain overlooking Huntly.
This Country Calendar episode profiles Billy Riddell, one of the few remaining drovers who was still moving herds the old fashioned way in the mid 1970s: “on the hoof” (the art of droving was being supplanted by rail and livestock trucks). The episode accompanies Riddell on a ‘drive’, as he moves a herd of cattle along the East Coast. Riddell’s narration recalls stampedes, river crossings, losing dogs and stock out to sea, the joys of butter, and why townies shouldn’t be on the roads: “the roads were there before cars were even blimmin' thought of”. He also reflects on a drover’s life.
Billy T James ranks as a key figure in the development of Kiwi comedy. Billy honed his talents as a singer and comedian on stages worldwide, then brought them to a local TV audience on throwback show Radio Times. His self-titled comedy show was a major ratings hit. His turn as the Tainuia kid in Came a Hot Friday is still fondly remembered — as is Billy T's infectious chuckle, black singlet and yellow towel.