Billy Apple: enigma, con man, or artist? Being Billy Apple looks at one of New Zealand's most controversial contemporary artists: a man who changed his name, then turned himself into a brand. Director Leanne Pooley (The Topp Twins: Untouchable Girls) follows Apple's life, and looks at his work in the context of the development of conceptual art overseas. This opening excerpt from the 70-minute documentary sees Apple talking with the filmmaker about whether it is important his face is even seen on screen.
Having made a comeback after heart surgery in 1990, legendary entertainer Billy T James passed away in August 1991. Four years later that anniversary was commemorated with Billy T James - A Celebration. Hosted by Pio Terei, the special highlights some of Billy’s best moments of both comedy gold, and his vast talents as musician. Interviews with Billy T and his colleagues (including showband veteran Robbie Ratana, comedian Peter Rowley, and screen wife Ilona Rodgers) offer insight into the real man behind arguably New Zealand’s most beloved entertainer.
English singer/songwriter Billy Bragg chats with Richard Driver in this interview, shot in a pre-bus lane Manners Mall in Wellington, for TVNZ’s hippest music show. They have unlikely company in the form of Alice, an elderly passerby, and the affable Bard of Barking happily includes her in the conversation. With a rare Top 10 hit single on his hands, Bragg discusses commercialism, his brief army career, and writing both love songs and political songs. A pre-concert performance of his track ‘Days like These’, recorded at Victoria University, bookends the interview.
In April 1984 Billy Idol visited New Zealand to promote his second (and most successful) solo album Rebel Yell. Interviewed by Radio with Pictures legend Karyn Hay, he answers her call for a closing rebel yell, talks about the origins of his name and early hit 'White Wedding'; argues he appeals to the intelligence of his audience; criticises racism towards the United States, a country full of "ordinary people who struggle everyday"; and argues that confidence and "a pretty heavy attitude" are key to survival in a music industry that is more concerned with money than art.
In this documentary Cherie James pays tribute to New Zealand’s best-loved entertainer, telling Billy T James story from a daughter’s perspective. Performers who worked with Billy in his showband The Maori Volcanics also share their memories, as do family members who reminisce about Billy's early life growing up in the Waikato. Cherie provides her perspective on the well-publicised arguments that occurred after his death and why it was so important for Billy to be buried beside his mother on the sacred Taupiri mountain overlooking Huntly.
TVNZ’s Māori programme Koha talks to Billy T James in this studio interview. At 34, he is already one of NZ’s most prominent performers after a breakthrough role in Radio Times, two years of his own TV show and winning Entertainer of the Year. Topics include the unwitting role his teachers played in his mimicry, his brief career in commercial art, touring with the Maori Volcanics and whether his characters unfairly stereotype Māori. He also discusses why his humour doesn’t work with overseas audiences and recounts meeting a rather confused American.
This Country Calendar episode profiles Billy Riddell, one of the few remaining drovers who was still moving herds the old fashioned way in the mid 1970s: “on the hoof” (the art of droving was being supplanted by rail and livestock trucks). The episode accompanies Riddell on a ‘drive’, as he moves a herd of cattle along the East Coast. Riddell’s narration recalls stampedes, river crossings, losing dogs and stock out to sea, the joys of butter, and why townies shouldn’t be on the roads: “the roads were there before cars were even blimmin' thought of”. He also reflects on a drover’s life.
'My Old Man’s an All Black' was a big hit for the Howard Morrison Quartet in 1960. The song subverted 'My Old Man's a Dustman' to mock an apartheid South African decree banning Māori players from the touring All Blacks. In this 1990 performance, Morrison and Billy T James (months after heart surgery) update the song’s lyrics for a more recent controversy: the dropping of popular All Black captain Wayne 'Buck' Shelford. Howard ribs rugby’s supposed amateurism, and Billy T explains why Buck isn’t packing down in the scrum. The final haka includes an unexpected guest...
Billy Graham was a a poor, restless, dyslexic boy from Lower Hutt who was taken under the wing of a boxing coach and became an amateur champion. In 2006 Graham set up his first boxing academy in his home suburb. Now he runs five gyms, training young people to have pride in themselves and their bodies. This 42-minute documentary was directed by award-winner Mark Albiston (The Six Dollar Fifty Man). It follows a group of young Kiwis who have found acceptance and inspiration on the floor at Graham's gym. Billy and the Kids debuted at the 2019 NZ International Film Festival.
Comedian Billy T James presents an introduction to The America’s Cup as Team New Zealand challenges for The Auld Mug for the first time. Billy T visits Fremantle in Western Australia — where the Cup is being contested — and meets members of the NZ team including skipper Chris Dickson and backer Michael Fay. Rules and strategy are explained and there’s occasional product placement for sponsor Sony. Billy’s sense of humour is never too far away but this is a largely-factual exercise from a time before The America’s Cup was (briefly) “New Zealand’s Cup”.