Tony Isaac played a major hand in creating some of the key TV dramas of 1970s Kiwi television. He produced New Zealand's first continuing television drama Pukemanu, co-created Close to Home, our first soap, and was one of the main forces behind The Governor, arguably the most ambitious TV drama yet made on New Zealand soil. Isaac passed away in May 1986.
Television veteran Robert Boyd-Bell's eclectic screen career includes 14 years in journalism, followed by time in academia, public service TV, and producing. Which is not to forget writing landmark book New Zealand Television – The First 25 Years. Boyd-Bell joined the state broadcaster in 1965, and later headed TV One's northern newsroom. He also has an extensive involvement in delivering programmes online.
Philly de Lacey heads company Screentime New Zealand. De Lacey began in television in 1999. By 2003 she was producing the company’s newly-launched show Police Ten 7; three years later she became managing director at Screentime NZ. The company’s staple of shows ranges across drama (Underbelly: Land of the Long Green Cloud, Siege), and various long-running actuality series (Beyond the Darklands, Marae DIY).
Simon Reece has had a long career editing television and film, cutting landmarks such as Tank Busters, The Governor, Pukemanu, The God Boy and Vigil. In 1990 he shifted post-production roles and set up Wellington company The Dub Shop, which specializes in providing digital services for broadcast, web and archives.
James Wallace, KNZM, is a patron of cinema, among other types of art. His CV as a producer of short films includes Accidents and Cannes success Planet Man. Wallace produced pioneering AIDS drama A Death in the Family and acclaimed feature Desperate Remedies. He was the Company Secretary and Solicitor for cinema chain Kerridge Odeon, and has spent time on the board of the NZ Film Commission.
Allan Martin, OBE, worked as a television executive on both sides of the Tasman, but had his roots in programme making. He began making TV in England in the early 60s. Returning home, he developed influential programmes for the NZBC in Compass and Town and Around. Headhunted by the ABC in Australia, he returned to NZ in 1975 to set up the new second channel, and later became Director-General of TVNZ.
Former Spot On presenter Ian Taylor, CNZM, is the founder of computer graphics company Animation Research Limited. ARL made its name providing real-time sports graphics at the 1992 America's Cup, and has gone on to apply their technology to golf, cricket, tennis and Formula One car-racing around the globe.
Allen Guilford was a prolific and much admired cinematographer, whose host of television programmes ranged from 1970s TV landmark The God Boy to colonial melodrama Greenstone. Guilford won NZ Film Awards for his work on movies The Footstep Man, coming of age tale The Climb, and blockbuster What Becomes of the Broken Hearted? He passed away on 10 March 2009.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.
After time as a reporter and radio producer, Judy Callingham became one of the first women in New Zealand to make her mark as a television scriptwriter (Close to Home, Gloss, Shortland St, and many more). Her broadcasting career has encompassed stints as a presenter (Town and Around, Fair Go), journalism tutor, and NZ On Air board member. These days she runs a media training company with husband Brian Edwards.