Adapted from one of Katherine Mansfield's best known short stories, this restrained culture-clash-in-colonial-Wellington tale follows Laura (Alison Routledge from The Quiet Earth), an idealistic teen preparing for her family's garden party. The raising of marques and arrangement of cream puffs and canna lilies is disrupted by news of a neighbour's accidental death. Laura protests that the party should be cancelled, but her mother disagrees. A visitation at the working man's cottage down the hill and an encounter with the victim’s corpse piques Laura's class consciousness.
Using plenty of his own photographs to illustrate his story, Errol Schroder takes us back to the 50s, 60s and 70s to provide his memories of being a photographer with the New Zealand Air Force (Schroder also spent three years in the navy). His Air Force career saw him posted through the Pacific and South East Asia. In Vietnam, there are tales of nervous times on American bases, and a hair-raising patrol in an OV-10 Bronco aircraft. Even in retirement, action came Errol’s way — his home was wrecked in the September 2010 Christchurch earthquake.
This is the first of a six-part TVNZ series which follows seven couples from antenatal classes to the reality of childbirth and parenthood. Along the way they share their hopes and fears as they await the arrival of their first born. This episode focuses on antenatal classes, decisions that have to be made and practical adjustments, including jobs and budgeting. The fathers-to-be provide some of the most humorous lines, mostly displaying their naivety (one looks forward to the chance to "laze back a bit"). But all the participants show an honesty that makes for fascinating viewing.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.
The Savages are a working class West Auckland family who like drinking, and living by their own rules. Savage Honeymoon is a celebration of their passion and leather pants - and a snapshot of a couple worried their children may not be as lucky as them. Mark Beesley’s debut feature won good reviews (The Herald praised its “self-confident swagger”) – and headlines, after being downgraded from an R18 to R15. The film pre-dated the Westie family of Outrageous Fortune - though Beesley then hated the Westies label, disliking the word’s negative connotations.
Brooke Clarkson races stock cars — a rare female in a male-dominated motorsport. After growing up watching her dad and uncle race, taking to the track herself seemed only natural. In this short documentary, Clarkson and her family are interviewed about the challenges she’s faced to get to the top, from her mother’s concerns, to outsiders arguing that girls shouldn’t be racing — they'll just get hurt. Now, at only 18 years old, she is racing one of the top stock cars in the country. The soundtrack includes ‘She Speeds’ — the classic track from Dunedin band Straitjacket Fits.
This NFU documentary looks at working lives of a crew of Wellington rubbish collectors aka 'the dusties'. With an insightful dustie narrating, the film follows the team on their rounds, beginning early morning with the seagulls at the depot. Then it's into the trucks and off to face occupational hazards: irate householders, sodden winter sacks, and notoriously steep hills. Our dustie muses on everything from health benefits and job perks (discarded beer, money and toasters!) to cleanliness. This classic observational film ends with a tribute folk song.
Pioneering soap opera Close To Home first screened in May 1975. For just over eight years (until August 1983) middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977 nearly one million viewers tuned in twice weekly to watch the series co-created by Michael Noonan and Tony Isaac. This first episode sees the family gathering for Grandfather’s 78th birthday. Vivian (Ilona Rodgers) moans to Tom (John Bach): “you’ve drunk all my cooking sherry”, then tenderises the beef with the empty bottle.
Politician Paula Bennett proudly proclaims her West Auckland roots in this video celebrating NZ On Air's 30th birthday. Bennett talks about how hit show Outrageous Fortune was important in helping Kiwis reclaim pride in being a bogan — and a Westie. She also praises the show's strong yet vulnerable matriarch Cheryl West. Robyn Malcolm, who played Cheryl, remembers early days in the role, before Outrageous Fortune became "the show where New Zealanders fell in love with themselves". Outside of Shortland Street, it became part of the country's longest-running drama franchise.
Greenstone is the tale of a Māori woman whose beauty is used as a pawn by her ambitious father, Chief Te Manahau. In episode one, the missionary-educated Marama (Simone Kessell) travels to England with her father (George Henare), who sets about arranging an arms deal while she falls for their English host, ex-military man Sir Geoffrey Halford. Created for TV One by Greg McGee, the ambitious series was initially developed as a co-production between local company Communicado and the BBC. Local iwi Tainui helped fund the series, after the BBC withdrew.