Pioneering soap opera Close To Home first screened in May 1975. For just over eight years middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977 nearly one million viewers tuned in twice weekly to watch the series co-created by Michael Noonan and Tony Isaac (who had initially only agreed to make the show on the condition they would get to make The Governor). The popular family saga carved a regular niche for local drama on screen, and the output demands were foundational in developing industry talent.
A woman running an Auckland laundromat finds herself accosted by a drug addict. A frustrated customer struggles with a machine that is out of order and ruining her expensive clothes. Somewhere across the city police are on their way to a drug bust. However all is not what it seems on Karangahape Road, and the consequences look to be life altering. The three tales in this film were made as part of NZ On Air funded K’ Rd Stories, a collection of short films which all tell stories set around Auckland’s most legendary, notorious, and arguably most beloved street.
Set in a small New Zealand town, Closer is the story of a deaf teenage boy trying to come to terms with the death of his older sister. An emotionally locked-down father who has limited knowledge of sign language compounds his struggle. Written and directed by David Rittey (We The Living), and co-written by poet Therese Lloyd, Closer is a moving portrayal of the power and complexity of silence. Closer won Best Short Film and Best Performance at the 2005 NZ Screen Awards, and was selected to compete for the top short film prize at the Cannes Film Festival.
Close to Home first screened on TV One in May 1975 and ran for eight years. The popular and ground-breaking series was New Zealand television's first soap opera. It was based in Wellington and centred around the trials and tribulations of the Hearte family. At its peak in 1977, Close to Home attracted a twice weekly audience of one million viewers.
Ilona Rodgers has starred in a huge array of theatre, film and TV roles in New Zealand, Australia, and the UK. As well as appearing in many British and Australian TV shows screened in New Zealand, Rodgers has been a stalwart of locally made programmes such as Close to Home and Hunter's Gold. Probably best known for playing Maxine Redfern in Gloss, some of Rodgers' other screen credits include The Billy T James Show, Marlin Bay and the film Utu.
Janice Finn is a television writer/producer who has also spent time in front of the camera. Her acting roles have included parts in Close to Home and The Strip. Finn produced the high camp 80s soap Gloss and 90s drama Marlin Bay, and has written extensively for Shortland Street. She has also produced reality series such as Changing Rooms for Touchdown Productions. Lately Finn has been producing documentaries for Natural History New Zealand.
Actor Jeffrey Thomas has had a long and varied career in both TV and theatre. His best-known television role was as Inspector Brian Finn in the police series Shark in the Park. Thomas has also appeared in Mercy Peak, Shortland Street, Spartacus and Outrageous Fortune.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?