This episode of the long-running religious programme focuses on Auckland's Anglican Cathedral of the Holy Trinity. It features hymns from the Holy Trinity Choir and Auckland Choral Federation. The Graeme Thomson-hosted show also discusses the history and architecture of the cathedral following the completion of its nave in 1995. Built on land bought by Bishop Selwyn in 1859, the completed cathedral reflects the undulating landscape of Auckland, combining Gothic and Polynesian elements.
In 1979 entertainer Ray Woolf went from co-hosting Two for One to his own chat show. This wide-ranging 'best of' episode from the end of the first season takes in bloopers, the victims of the Amityville Horror, Doctor Who Jon Pertwee, Gomer Pyle Jim Nabors, Norman Gunston, Alan Whicker, Frankie Howerd, Derek Nimmo, Diana Dors, Austin Mitchell, poet Pam Ayres, humorist Erma Bombeck and singer Billy Daniels — plus Kiwis Ricky May, Ian Fraser (on piano), Tina Cross, Selwyn Toogood and Precious McKenzie. Woolf, was judged 1979 TV Light Entertainer of the year.
For nearly a decade, Selwyn Toogood and his panel of beauties helped solve life’s tricky problems every weekday afternoon. In this special 1000th episode, the problems range from a nine-year-old’s unaffectionate grandparents, to being caught between feuding neighbours. Making a special appearance is loyal viewer Ruth Flashoff, who is flown from Havelock North to Dunedin's Regent Theatre for the show. Toogood also gives praise to those behind the scenes, meets his old boss Christopher Bourn, and reels off an impressive list of statistics about the camera team.
Tom Sharplin was the face of rock'n'roll revival in 1970s and 80s New Zealand. In 1980 his group won Group of the Year, and soon after they featured in popular TV show Rock Around the Clock. Here, for the finale of a gala to celebrate 25 years of Kiwi television, he performs rock classic 'Rip it Up' (first made famous via Little Richard, and later inspiration for the name of the NZ music mag). "Shag it on down to the union hall" run the lyrics; Sharplin — with help from Ray Columbus, Ray Woolf and many more — swings his hips and rips, shakes, rocks and rolls up the Michael Fowler Centre.
This 1972 documentary explores the world of a dying generation of Māori female elders or kuia — “the last of the Māori women with tattooed chins”. The film pays tribute to the place of the kuia in Māori culture, and of wahine tā moko. Among those on screen are 105-year old Ngahuia Hona, who cooks in hot pools, rolls a cigarette, and eats with whānau, and “the oldest Māori” Nga Kahikatea Wirihana, who remembers the Battle of Ōrākau during the land wars, and has outlived four husbands. Into Antiquity was an early documentary from veteran director Wayne Tourell.
Te Waipounamu (the South Island) provides the picturesque backdrop for this Ngāi Tahu web series about mahinga kai (food gathering). Tangata whenua are interviewed about all aspects of mahinga kai, from transport (mōkihi) and storage (pōhā), to what they put on their plates — pāua, kōura (crayfish), and pātiki (flounder). Episode one showcases the elusive "vampire of the sea" kanakana (lamprey) in Murihiku (Southland). The last episode of the 12-part web series features Kaikōura local Butch McDonald catching and eating the town's seafood specialty, crayfish.
The Patea Māori Club whare was in desperate need of repair when the Marae DIY team stopped by to give it a revamp. The catch — there’s only four days to do it. The renovations are given a personal note as the show’s regular builder Hare Annef is a Patea local. Also lending a hand are soldiers from the nearby School of Military Engineering. The pressure builds as mid-construction changes are made to the plans, while elsewhere local kuia reflect on the storied history of the club. As the clock ticks down, the race is on to finish, lest the iconic club go without a whare.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.
This consolidating episode of the archive-based New Zealand history series finds World War II at an end, the return of Kiwi servicemen and the country in an optimistic mood. That's sealed by the 1950 British Empire Games where New Zealand is third on the medal table. But rising prices and low incomes lead to more militant unionism, culminating in the fractious waterfront workers dispute of 1951. At the same time there's a new flowering of the arts. The New Zealand Symphony Orchestra is established and a new generation of writers and artists take centre stage.
Seven Rivers Walking - Haere Mārire looks at the rivers that meander across and define the Canterbury Plains. With the cleanliness of Aotearoa's waterways being a contemporary talking point, the film looks at the impacts of farming and industry on the rivers that supply livelihoods and drinking water to the people of Canterbury. Co-directors Gaylene Barnes and Kathleen Gallagher follow a group of Cantabrians who hike and raft the length of the rivers, and talk to locals en route about the significance of the region's waterways. The film debuts at the 2017 Christchurch Film Festival.