New Zealand television's first sitcom, Buck House centred on the antics of a group of university students sharing a flat in Wellington. In this sixth episode of the first series, Reg — played by a fast-talking, afro-headed Paul Holmes — gets embroiled in his flatmate Joe's latest illicit moneymaking scheme. 'Escorts Unlimited Ltd', as Joe (Tony Barry) tries to explain, is a surefire winner. That is, until Buck House's other flattie, the left-leaning Jo (Jacqui Dunn) invites a member of the local constabulary home for a cup of tea. The late night comedy was considered edgy when it debuted in 1974.
In the theatre world of the 70s and 80s, playwright Mervyn Thompson was an outspoken figure. He wrote, directed, and acted in theatre that presented New Zealand working class history and experience. This doco features a rare interview with Thompson before he died in 1992, as well as footage from his last work Passing Through (1991). Thompson discusses his upbringing on the West Coast of the South Island, his approach to theatre, and alludes to some of the controversies that beset his career.
The second season of web series Dislawderly sees outspoken law student Audrey facing love and student elections, and preparing for a moot (a mock trial). Series creator and real life law student Georgia Rippin (who also stars) used responses from the law school’s 2016 gender survey to frame her storylines — like female students being chided for speaking in a high pitch in the courtroom. Dislawderly's mockery of sexism proved timely. The second season dropped two months after a scandal over how female student clerks had been treated at a major New Zealand law firm.
Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace.
Made to mark 100 years of women's suffrage in New Zealand, Bread & Roses tells the story of pioneering trade unionist, politician and feminist Sonja Davies (1923 - 2005), who rose to prominence in the 1940s and 50s. Directed by Gaylene Preston and co-written by Graeme Tetley, the acclaimed three-hour production played on television screens, and also got a limited cinema release. Australian actor Geneviève Picot (as Sonja Davies) and Mick Rose (as her husband) won gongs for their roles at the 1994 NZ Film and TV Awards. Bianca Zander writes about Bread & Roses here.
Twenty eight years after featuring in landmark feminist documentary series Women, five interviewees reveal how their lives have changed. Donna Awatere Huata, Miriam Cameron, Sandi Hall, Aloma Parker and Marcia Russell candidly discuss work, sex, the media and Māori in this 70 minute documentary. Artist Cameron recalls how feminists were seen in the 1970s: "she was a braless, hairy, fat hag". Journalist Russell remembers not being allowed to work past 11pm because she was a woman, while psychologist Parker felt liberated by feminist Germaine Greer's refusal to wear a bra.
Prime Minister Jacinda Ardern shows off her comedy prowess in this Funny Girls special, celebrating 125 years of Kiwi women attaining the right to vote. Ardern corrects the blatant lies of "Pauline the producer" (Jackie van Beek), and puts up with Pauline kissing her. This episode is a who's who of female Kiwi comedians, featuring (for the first time) live stand-up alongside the sketches — including Justine Smith and Billy T winners Melanie Bracewell and Angella Dravid. The Suffragette Special followed series three.
One night in a West Coast pub, Melanie (Australian actor Rachel Blake) meets a handsome stranger (Sam Neill) and accepts his invitation to go back to his place. When they board his boat she discovers it is further than she thought (a shack on a deserted island). Once they arrive he treats her like a princess. However it slowly dawns on her that she's been kidnapped. Terrified, she also knows that he's her only way off the island. As events play out in Gaylene Preston's twisted thriller, Melanie's feelings change from anger and fear — to desire.
Lindsay Perigo and TV producer Allison Webber have a heated discussion about the portrayal of women in the media in this 1986 current affairs show. Webber says females are sick of being portrayed as sex symbols or tidiness-obsessed housewives. Webber was representing Media Women; the organisation was campaigning for better media coverage, and running its first NZ conference. Also interviewed are Dominion journalist Judy Pehrson, advertising guru Terry Christie, and Mr Wrong director Gaylene Preston (who talks about double standards in casting movie roles).
In the 1970s, New Zealand artist Allie Eagle identified herself as a lesbian separatist and radical feminist. Her often uncompromising work included pro-abortion painting This Woman Died I Care, which was inspired by a photograph of a woman who died from an illegal abortion. In the 1980s, Eagle became a christian. Made in 2004, Briar March's first, feature-length documentary sees Eagle reflecting on her past with a more moderate outlook — she now has mixed feelings about her earlier stance on abortion.