Filmmaker Stewart Main traverses India seeking enlightenment. There he meets ex-pat Kiwis who seem to have found it, which only leaves him feeling trapped in a life of the senses. Especially when he falls for his Indian sound recordist, Sreenu. Or so he would have us think. Made for TVNZ's Work of Art documentary slot, Main's startling, provocative film explores the cracks between the divine and the sensual, documentary and fiction. Director Andrew Bancroft writes about the result in this backgrounder.
Presented by future National Party MP Melissa Lee, this Asia Dynamic episode tells the story (discovered by reporter Bharat Jamnadas) of Nalini Chhima, an Auckland-born Indian woman and accomplished classical dancer, who travels to Navsari, India, to prepare for a traditional marriage. Like her parents, Chhima thinks an arranged marriage has a better chance of surviving than a love marriage. This documentary tracks Chhima’s emotional journey, and her desire to please her parents and be true to her culture. Asia Dynamic was later re-named Asia Downunder.
This film looks at biodynamic agriculture, a Rudolph Steiner-inspired system of organic farming. The film focuses on Peter Proctor, a worm-obsessed Kiwi gardener, and his work promoting biodynamics worldwide — particularly in India, where he argues that modern industrial agriculture (eg artificial chemicals, GM seeds) has made soil and plants toxic and farming unsustainable. Proctor's simple recipe to save the planet? One man and a bucket of cow dung. Narrated by American actor Peter Coyote (E.T.), One Man screened worldwide at environmental film festivals.
In this Good Day interview, Alison Parr talks to Sir Edmund Hillary as he discusses From the Ocean to the Sky, a book about his 1977 jet boat mission up India's holy river, The Ganges. A reflective Sir Ed talks adventure, spirituality and his 'escapist' relationship with Nepal; and Parr probes him on his reluctance to include single women on expeditions. On a more outspoken note, he expresses his dismay at a lack of "positive, inspirational leadership" in contemporary NZ in what is arguably a barely disguised attack on the style of Prime Minister Rob Muldoon.
This 1983 film looks at New Zealand in World War II, via a compilation of footage from the National Film Unit’s Weekly Review newsreel series, which screened in NZ cinemas from 1941 to 1946. It begins with Prime Minister Savage’s “where Britain goes, we go” speech, and covers campaigns in Europe, Africa and the Pacific, and life on the home front. The propaganda film excerpts are augmented with narration and graphics giving context to the war effort. Helen Martin called it "a fascinating record of documentary filmmaking at a crucial time in the country’s history".
When Frank Sanft’s older brother was killed early in World War ll, it only intensified Frank’s determination to serve. Joining the Royal Navy, he was eventually assigned to Operation PLUTO, which involved laying an undersea fuel pipeline between the UK and Cherbourg (vital in keeping Allied vehicles moving, directly after the invasion of France). Frank laughs now at a close call with a sniper ashore in France. Serving in the Pacific, he was there after Singapore’s notorious Changi PoW camp was liberated. In 2017 Sanft was awarded a prestigious French Legion of Honour.
From a lost era of light entertainment comes this episode of an early 80s song and dance series whose ensemble included Suzanne Lee, Richard Eriwata, Vicky Haughton and a pre-Shortland Street Maggie Harper. The cast pay tribute to the Harlem songs of Fats Waller and George Gershwin, while special guest Kim Hegan provides a sitar performance. The final segment takes songs including 'I'm a Woman', 'Bare Necessities' and 'Putting on the Ritz', and somewhat improbably blends them into an all new "mini-musical" featuring Tarzan, Jane and a Hollywood producer.
Rolling out their Christmas Special in June, to show just how far they're ahead of the game, the Moon TV team threw most of their regulars into this wrap-up special: dodgy driving on Speedo Cops, Naan Doctors (a soap set in an Indian restaurant) and Leigh Hart's regular attempt to sound literary with writer Joe Bennett. Elsewhere Hart and Matai Johnson cheat during the annual coast to coast race, and join Jason Hoyte to demonstrate how not to treat a guest when John Key joins them on Late Night Big Breakfast. Plus pratfalls from an incompetent handyman.
Aged 101 when interviewed for this series, Auckland-born Laurence Reynolds was a Major in the British Army during World War II. Reynolds was studying medicine in the UK when war broke out. Here he recounts his wartime service, from running a hospital in Iraq and dealing with malaria (almost dying of it himself), to romance on home leave, and facing polio and ambushes while working as a doctor in Quetta and Bannu (in what is now Pakistan). Post-war, Reynolds went on to pioneer coronary rehabilitation, including helping establish the first coronary care unit at Greenlane Hospital.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.