A profile of New Zealand artist Julia Morison, made in the year she became an Arts Laureate. Morison is filmed in her studio “forming order from the chaos of her materials”. She explains how her tools and materials guide her image making – which in her thirty-year career, has ranged across a variety of media. The film also features her lesser known work – her collaborations with fellow artist Heather Straka, which include a series of short films, and a project entitled Madame and the Bastard.
An affectionate documentary about painter Rita Angus. Angus was well known for her enigmatic self portraits, and this Gaylene Preston-directed documentary explores the relationship between the work and biography. It gathers together new material about Angus's life, as well as interviews with a group of friends who knew her, and a new generation of appreciators including biographer Jill Trevelyan. Many of her paintings are also featured, evocatively shot by Alun Bollinger; actress Loren Horsley captures an uncanny likeness as a young Angus.
This short film is a lively animation by Fred O'Neill starring a cast of craggy characters made from that ubiquitous children's play dough of the 1960s and 70s: plasticine. Figures cavort and morph to the music in varied sight and sound gags. There's no real narrative, and contrary to the title, it is in fact a celebration of the limitless possibilities of the materials. Figures and shapes form, and transform delightfully, constantly moving, fighting, and dancing against hand painted backdrops. Dunedin-based O'Neill did almost everything on the film himself.
Kiwi soul sister Emma Paki made her mark with 1993 classic 'System Virtue'. The song earned the Whakatane-born singer-songwriter a hat-trick (Most Promising Female Vocalist, Best Songwriter and Music Video) at the 1994 NZ Music Awards, and also won her a live support slot for American songstress Sheryl Crow. Her award-winning debut album Oxygen of Love (1996) was a long time coming; it also included top five hit 'Greenstone', produced by Neil Finn. Paki began releasing further material in 2004.
Godzone is “timber country” in this seventh slot in the New Zealand Now series. The NFU film looks at the world of the Kiwi bushman, as milling is providing the raw material for a postwar housing boom. The narrators provide a good keen guide to life in the remote and tiny (six houses) North Island town of Oraukura, where timber men fell giant native trees during the day and split kindling after work. For the men it’s a hard, but good life; for their wives it’s “pretty dull”. The Axemen’s Carnival in Taumarunui features OSH-unsanctioned woodchopping in socks.
In this series about living sustainably, comedian Te Radar swaps the farm for town to transform a quarter acre overgrown lawn into a lush garden. Using recycled materials and organic methods, Te Radar faces a mission to clear the jungle that is his property and make a profit selling his produce. Throughout the series he visits eco-friendly businesses, including a firm that converts waste cooking oil into biodiesel, and turns to locals to help with his challenge. The series followed on from Off the Radar, in which Te Radar aimed to live solely off produce from his farm.
This slot in TV3’s Great War Stories series looks at Kiwi conscientious objector Mark Briggs. In World War I imprisonment faced those who objected to doing their bit for King and country on moral grounds. In 1917 unionist Briggs and 13 others (including Archibald Baxter) were shipped to the front and made an example of via ‘Field Punishment No.1’, which saw the pacifists bound to a post in the open, then forced into the trenches. Archive material and art by Wellington's Bob Kerr depict the torture in this short documentary, which screened during 3 News in 2014.
This classic wartime newsreel profiles the coal mining towns of Westland. It compares the town of Rūnanga, where mining has brought prosperity and a strong community life, with Denniston, which is set in rocky, inhospitable land high up a West Coast mountainside. Its tone is patriotic: “Here then are the men who feed New Zealand with the raw material of industrial prosperity ... They work in the darkness of the mines, buried away from the fresh splendours of the air above them.” The Weekly Reviews were screened in cinemas 1942 - 1950.
Sam Hunt is New Zealand’s best known and most visible contemporary poet; and, in an archive excerpt from this feature length documentary, Ginette McDonald calls him “the most impersonated man in New Zealand”. Director Tim Rose, who has known Hunt since he was a boy, decided too little was known about him beyond his flamboyant, public persona. So Rose spent four years making this documentary — mixing a wealth of archive material with interviews with Hunt, and those who know him best, and new footage of him reading his work and performing with David Kilgour.
In 2014 Ngāi Tūhoe completed construction on Te Uru Taumatua, a sustainable ‘living building’ built entirely out of materials sourced from Tūhoe land. Ever the Land captures the construction of the building, from its initial design stages through to its opening, and explores the history and values reflected in its design. Premiering at the 2015 New Zealand International Film Festival, Ever the Land is the debut feature as director for German-born editor Sarah Grohnert.