TV movie Rage recreates the 1981 Springbok tour, which saw violent clashes between protestors and police. Ryan O'Kane (Second Hand Wedding) plays the protestor whose girlfriend (Maria Walker) is actually an undercover cop who has infiltrated the anti-tour movement. The script was written by Tom Scott — who protested, in-between writing a humour column in The Listener — and his brother-in-law Grant O'Fee, who was a detective sergeant in Wellington. Rage was nominated for five NZ TV Awards, including Best One-Off Drama, Director (Danny Mulheron) and Actor (O'Kane).
Some argue that if the 1981 Springbok rugby tour of New Zealand had been halted from the outset, the impact on the hearts and minds of South Africans would not have been as profound. This Leanne Pooley-directed film aims to show how events in Aotearoa (captured in Merata Mita's documentary Patu!) played out in South Africa; how the tour protests energized blacks, shamed the regime, and provoked democratic change. Says Archbishop Desmond Tutu: "You really can't even compute its value, it said the world has not forgotten us, we are not alone."
This short follows Joe Warbrick (Calvin Tuteao, from Nights in the Gardens of Spain), captain of the New Zealand Natives rugby team, as he tries to rouse his battle-weary players to head unto the breach once more, for a test against England. It’s midwinter during the trailblazing, 17 month long 1888-89 tour which left a black jersey legacy. In a changing room that resembles a casualty ward, Warbrick draws breath and leads a stirring haka. Made by brothers Pere and Meihana Durie, Warbrick inspired the All Blacks the day before they demolished Australia by 33-6 in 2009.
This NZBC news item went to air the day after legendary Prime Minster Norman Kirk passed away. There are tributes (some off-screen) involving everyone from Kissinger, Muldoon and Trudeau to the Queen, and an interview with Deputy PM Hugh Watt. Reporter George Andrews outlines Kirk’s life and career, including footage of Kirk recalling his time working on the Devonport Ferry, and having to break a promise about a Springbok Tour. Andrews charts Kirk's rapid political rise, including becoming the country’s youngest mayor, and the mark he made on the international stage.
Shot for an Australian Travel Agents Seminar, this short film seeks to portray 1969 New Zealand as a hip and happening place. The tourism clichés of a scenic wonderland remain, but the film attempts to present a more sophisticated NZ to entice jet-set Aussies east. After all, we "got rid of six o'clock closing ages ago." To complement the Anzac staples of sport, beer and gambling there are mountains and Māori. Nightclubs offer show bands and strippers for "relaxation" after strenuous days of sightseeing. C’mon is a fascinating snapshot of a nation in transition.
This documentary follows the then world champion All Blacks on a 1989 tour of Wales and Ireland. With star winger John Kirwan as guide, 'The All Black Film Unit' gives a players’ insight into an international tour in pre-professional, pre-media trained times — there’s even a plate of oranges. Match, training, and travel footage is complemented by relaxed encounters with players (Zinzan Brooke mounting a shetland pony has entered rugby folklore). Producer Ric Salizzo repeated the recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
Some of the great names of All Blacks rugby appear in this documentary, which was made before the 2003 World Cup. They tell the story of the highs and lows of New Zealand’s national game across a century of tours. From cruel violence in the early days to the skills of a top team in full flight, The Test provides the views of players, commentators and coaches. This excerpt concentrates on sometimes bruising encounters between the All Blacks and the Springboks, from the 1920s up to 1956. The Test was named Best TV Sports Programme at the 2003 Qantas Media Awards.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
This 1992 TV One documentary follows the All Blacks on their first post-apartheid visit to South Africa. The footy tour tomfoolery of producer Ric Salizzo’s earlier All Blacks docos is subbed off for reflections on politics and sport from players — including ex-All Black Ken Gray, who refused to tour the republic in 1970 and joined protesters in 1981. Not all goes to script for a “new South Africa”: the Afrikaans anthem is played before the Ellis Park test, and the All Blacks win. Future South Africa cricket star Herschelle Gibbs is a young coloured player mentored by the ABs.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.