Director John Bates' 1993 documentary examines the life and work of photographer Robin Morrison, who captured iconic images of everyday New Zealand life and landscape. Part biography, part travelogue, the film goes on the road with Morrison to revisit some of his best-loved locations. Stunningly shot by Stuart Dryburgh (The Piano) before Morrison died on 12 March 1993, Sense of Place won Best Documentary at the 1994 New Zealand Film and Television awards, and a certificate of merit at the 37th San Francisco International Film Festival.
Director Rachel Davies subverts expectations in a confronting film about a young boy's relationship with an older man. In one continuous piece-to-camera shot a boy recounts his first sexual experiences at a scout camp. What is the relationship between the ambiguous identity of the subject (boy or girl? why does he have a man's voice?) and the gravity of what's being said? This intriguing confessional marked an impressive debut for Davies, who was only 21 when she made Sweetness. It received awards at the Sydney and San Francisco Film Festivals.
An All-American boy from NZ, Christchurch born Riki Ellison (Ngāi Tahu) is the subject of this Māori Television documentary. After moving to the United States at age eight, he made a stellar career out of “kinetic energy intercept”. A fearless player with an intimidating “Māori look”, he was a champion college football defensive linebacker and three-time Superbowl winner with the San Francisco 49ers. Then, inspired by Ronald Reagan, he became a leading advocate for missile defence systems; while, along the way, reconnecting with his whānau and heritage.
“Only 40 hours by air from San Francisco and six from Sydney, Auckland New Zealand is on your doorstep.” In 1952, NZ tourism was also a long way from a core contributor to the national economy. A flying boat and passenger ship deposits visitors in the “Queen among cities” for this National Film Unit survey of Kiwi attractions. The potted tour takes in yachting, the beach, postwar housing shortage, school patrols, dam building and the War Memorial Museum, before getting out of town into dairy, racing and thermal wonderlands, where “you can meet some of our Māori people”.
This impressionistic 1989 short film, directed by Mark Summerville, imagines gay tribal life on a fantasy South Pacific Island. Shot by Mairi Gunn, the film ripples with watery blues; a stormy Maggie Rankin soundtrack and whispered narration (from Ivan Davis) backgrounds images of marine sirens, coral crowns, apples, tapa, and entwined seaweed. In the middle of it all — a game of underwater hockey... The short film crossed the seas to gay film festivals in San Francisco, Vancouver and Hamburg, and toured with a British Film Institute selection of shorts.
The path of comedy folk duo Flight of the Conchords is dotted with failure, dismal corporate gigs, globetrotting fans and Grammy Awards. This extended Funny As interview sees Jemaine Clement and Bret McKenzie savouring their memories of the early days, and all the TV shows that got rejected along the way. Among the topics mentioned are: Wearing naked suits on the streets of Melbourne while promoting an early show The perpetual challenge of singing and playing guitar at the same time The Wellington stylings of their comedy — and how creative collaborator Taika Waititi throws a mean pizza McKenzie's opinion that Pulp Comedy "wasn't very flattering or helpful" to the comedians who featured on it How they probably wouldn't have lasted if their infamous, rejected show for TVNZ had ever come to pass How the Conchords got their name
After starting out in stand-up comedy as a university student in Wellington, Guy Williams won a contest to become Dai Henwood’s protege in 2009. He has been working in TV and radio ever since.
The globetrotting Sandy Houston began her career in animation and visual effects, after she left New Zealand for London. In the 90s she joined powerhouse American effects company ILM and Walt Disney Pictures, then Weta Digital in 2003. En route, she worked on a number of landmark films in modern visual effects, including Jurassic Park, the Oscar-winning Avatar, and Peter Jackson's remake of King Kong.
Georgina Beyer was the first transgendered person in the world to be elected to national office. Co-directed by Annie Goldson and Peter Wells, this internationally lauded documentary, tells the story of Beyer's extraordinary, inspiring journey from sex worker to member of Parliament for rural Wairarapa, and handshakes with the Queen. Born George Bertrand, Beyer grew up on a Taranaki farm, before spreading her wings on Auckland's cabaret circuit. Subsequent events led her to the town of Carterton, where she became involved in local body, and then national politics.
Andrew Adamson, NZOM, began his career at Auckland computer animation company The Mouse that Roared. After moving to the States and working in visual effects, he won fame in 2001 after co-directing Shrek, the first film to win an Academy Award for best animated feature. Adamson has returned home to shoot the first two installments of the Chronicles of Narnia, followed by Lloyd Jones novel Mister Pip.