Taking in depression and prosperity, this edition of the Kiwi social history series explores the boom and bust cycles of the economy. Stories include TJ Edmonds, of baking powder fame, who made his fortune by hawking his wares around Christchurch before opening his iconic factory. Factory workforces expanded, and with them unions. Worker dissatisfaction with pay and conditions led to the Queen Street riot of 1932, a defining moment in NZ history retold here by protest leader Jim Edwards' son. Edwards’ real estate agent granddaughter is also interviewed.
The Country GP (Lani Tupu) takes a back seat in an episode set in the first week of 1950, which centres around the arrival in Mason’s Valley of the parents of local teacher Tim Bryant (Duncan Smith). The discovery that Tim’s father Sid (played by Vigil scriptwriter Graeme Tetley) is a unionist and paid up member of the Communist Party shatters the township’s apparently relaxed way of life. Sid has come to warn his son of difficult times ahead that could see him back in prison, but his presence inflames some of the locals and leads to a questioning of the true meaning of freedom.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
Ian Mune is Leo Moynihan, secretary of the carpenters’ union, who — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. In this episode, earthquake regulations, a shifty minister and stand-over tactics from worksite agitators, count amongst Moynihan’s workplace problems. At home he has to introduce lecturer girlfriend Sarah to his young son. The NZ-Australia co-production (with ABC) was the first drama series made by TV One’s drama department. It won Feltex awards for best drama and Mune’s performance.
This 1948 documentary follows 24 hours of work on the railways. It was directed for the National Film Unit by Margaret Thomson, arguably New Zealand’s first female film director. The film shows the engines and commuter trains preparing to leave Wellington, and the overnight train arriving from Auckland. Workers toil on the railway lines above the remote Waimakariri Gorge, and the town of Otira gets ready for a dance. The final shots are of an engine coming through the dawn and back to the city. Selwyn Toogood (It's in the Bag) narrates.
This 2006 documentary is a portrait of one of New Zealand politics' most contradictory figures: unionist Ken Douglas. At the time of filming Douglas occupied numerous board positions (eg Air New Zealand, the NZ Rugby Football Union), but early on he was a truckie and Marxist. Rob Muldoon branded him 'Red Ken'. For 15 years until 1999 he led the Council of Trade Unions. Directed by Monique Oomen for Top Shelf Productions, the film is framed around interviews with Douglas and his colleagues, and asks whether he is a turncoat or a strategic realist moving with the times.
Best known for her impersonations of former Prime Minister Jenny Shipley, Pinky Agnew is a writer, comedian, and marriage celebrant.