Satire Futile Attraction follows a dysfunctional reality television crew as they make a show about dating. The unfortunate 'couple' being manipulated for the cameras are a phone-obsessed nerd, and a woman consumed with being ecologically sound. In real life, director Mark Prebble became the first New Zealander to get funding for his movie via an online crowdfunding campaign (as detailed in the making of video). Alongside lead actors Danielle Mason (Black Sheep) and Peter Rutherford (Event 16), the late Alistair Browning shines as a smarmy television host.
On October 15 2007, citing evidence of guerilla camps involving firearms training, police raided 60 houses across NZ, many of them in Ruatoki, near Whakatāne. In production for almost as many years as the ensuing legal proceedings, this provocative documentary proposes that the so-called “anti-terrorism” raids were bungled, racist and needlessly terrifying to children. The film’s subtitle ‘Deep in the Forest’ is inspired by ex Red Squad second-in-command Ross Meurant, who argues that as police move into specialist units they grow increasingly paranoid.
This film documents the influential 1979 New Zealand tour of a black theatre group from London arts centre Keskidee. They visit marae, perform at The Gluepot, prisons and youth centres; meet gang members, Ratana ministers and a young Tame Iti; and korero about roots and fights for rights. The made-for-TV film was directed by Merata Mita and Martyn Sanderson. On the tour Sanderson met his future wife, Kenyan actor Wanjiku Kairie. Tour instigator Denis O’Reilly argued in 2009 that the doco is “full of insights at a time of huge social and cultural shifts in Aotearoa.”
Director Stewart Main talked to artist Pat Hanly about life as painter and activist for 1998 documentary Pacific Ikon, from which this excerpt is taken. Interviewed at his Mt Eden home, Hanly discusses his painting career and inspirations — both political and personal. Also interviewed are his wife Gil, who supported him personally and financially, and children Ben, Tamsin and Amber. Like his work, Hanly is ebullient, energetic and articulate, At one point he says: "We are awaiting death with interested anticipation. Some of my best friends are dead." Hanley died in September 2004.
Witi Ihimaera was the first Māori writer to publish a book of short stories (Pounamu Pounamu) and a novel (Tangi). In this wide-ranging Kaleidoscope profile Ihimaera (here in his late 30s) talks about being “the boy from the sticks made good”, and conforming to expectations: “do I want to be the literary voice of the Māori people? No”. He discusses editing influential anthology Into the World of Light and the camera accompanies him on a Wellington circuit, as he roller-skates, and visits Newtown’s Black Power HQ. George Henare reads excerpts from Ihimaera’s work.
This jaunty debut single from Wellington reggae band Southside of Bombay is as deceptive as the happy family sing-a-long it accompanied in Once Were Warriors (which turned it into a belated chart hit). Far from being a nursery rhyme, its lyrics are informed by composer and vocalist Ruia Aperahama’s Ratana religion and a belief in the clock ticking towards an end time. Cinematographer Richard Bluck’s Wellington-filmed video captures the band performing on the south coast, cut with archive footage of Aotearoa activism ... as Mr Wolf watches on. The song was produced by Ian Morris.
In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges. The Fri was a key part of activism that was formative for environmental group Greenpeace, and anti-nuclear sentiment in NZ. Barry's debut film screened primetime on NZ TV and gained international attention.
James Tito, Maaka Pohatu, Matariki Whatarau and Francis Kora make up the Modern Māori Quartet.
Tangata Whenua was a groundbreaking six-part documentary series that screened (remarkably in primetime) in 1974. Each episode chronicled a different iwi and included interviews by historian Michael King with kaumātua. These remain a priceless historical record. The Feltex Award-winning script was by King and director Barry Barclay. The NZBC said the series had "possibly done more towards helping the European understand the Māori people, their traditions and way of life, than anything else previously shown on television". Paul Diamond writes about Tangata Whenua here.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.