Poet, activist and soon-to-be Mayor of Waitemata, Tim Shadbolt explores the often-maligned art of graffiti in this 1981 special for documentary slot Contact. Shadbolt searches for wit and inspiraton from school desks and court holding cells, to the bathrooms of trendy restaurants. Some of these scribbled sentiments — like “Rob Muldoon before he robs you” — have passed into legend. The best material however, comes from a group of high school girls, encouraged by their right-on English teacher during a class of well-supervised rebellion: “castrate rapists — have a ball!”
This film documents the influential 1979 New Zealand tour of a black theatre group from London arts centre Keskidee. They visit marae, perform at The Gluepot, prisons and youth centres; meet gang members, Ratana ministers and a young Tame Iti; and korero about roots and fights for rights. The made-for-TV film was directed by Merata Mita and Martyn Sanderson. On the tour Sanderson met his future wife, Kenyan actor Wanjiku Kairie. Tour instigator Denis O’Reilly argued in 2009 that the doco is “full of insights at a time of huge social and cultural shifts in Aotearoa.”
The powerhouse, largely Māori cast of this teleplay includes Jim Moriarty, Merata Mita, Billy T James (as a Marxist) and, in his acting debut, Zac Wallace (star of Utu). The Protesters explores issues involving race and land ownership in the aftermath of the Springbok Tour and Bastion Point. A group of Māori and Pākehā protestors occupy ancestral land that the government wants to sell. While waiting for the police to arrive, they debate whether to go quietly or respond with violence. Though some wounds are healed, The Protesters ends on a note of division, reflecting the era it was made in.
On June 4 1976, Gordon Dryden hosted Abraham Ordia — president of the African Supreme Council of Sport — for a public forum on New Zealand’s sporting ties with apartheid South Africa, which would result in an Olympic boycott by African countries the following month. The debate erupted into what the Auckland Star called “a diabolic confrontation between Māori and Pākeha”, with Dryden frequently pleading for civility. Weightlifter Precious McKenzie, MP Richard Prebble, activist Syd Jackson and Donna Awatere-Huata are among those in the audience, making their feelings known.
In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges. The Fri was a key part of activism that was formative for environmental group Greenpeace, and anti-nuclear sentiment in NZ. Barry's debut film screened primetime on NZ TV and gained international attention.
This jaunty debut single from Wellington reggae band Southside of Bombay is as deceptive as the happy family sing-a-long it accompanied in Once Were Warriors (which turned it into a belated chart hit). Far from being a nursery rhyme, its lyrics are informed by composer and vocalist Ruia Aperahama’s Ratana religion and a belief in the clock ticking towards an end time. Cinematographer Richard Bluck’s Wellington-filmed video captures the band performing on the south coast, cut with archive footage of Aotearoa activism ... as Mr Wolf watches on. The song was produced by Ian Morris.
Tangata Whenua was a groundbreaking six-part documentary series that screened (remarkably in primetime) in 1974. Each episode chronicled a different iwi and included interviews by historian Michael King with kaumātua. These remain a priceless historical record. The Feltex Award-winning script was by King and director Barry Barclay. The NZBC said the series had "possibly done more towards helping the European understand the Māori people, their traditions and way of life, than anything else previously shown on television". Paul Diamond writes about Tangata Whenua here.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.