This short National Film Unit documentary travels to Westland to meet the kōtuku or white heron. In Aotearoa, the kōtuku is known for its beauty and scarcity (the bird’s only NZ breeding colony is near Okarito Lagoon). The black and white film joins the ranger to go whitebaiting, as kōtuku arrive in spring. Kōtuku’s special place in Māori mythology is recounted, and legendary ornithologist Robert Falla checks out chicks in a crowded ponga fern nest. Directed by John Feeney, the film premiered in Christchurch in front of Queen Elizabeth, on her Coronation Tour.
Decades in Colour sourced home movies from more than 800 New Zealanders to paint a picture of New Zealand life, from "the inside out". Made by company Greenstone for Prime, each one-hour episode covered a decade from the 1950s to the 1970s, from post World War II recovery through to suburbia to cultural awakening. Presented by broadcaster Judy Bailey, the clips are narrated by the home moviemakers and their subjects. Bailey called it "a unique family history of the one family to which we all belong". A second series followed in October 2017.
This NFU public safety film takes a jaunty approach to a serious subject as it shows road crossing dangers via bad examples. Mis-steps include walking off the footpath carelessly, crossing the road at oblique angles, 'dithering', and over-confidence. The humour may be physical and the narration pun-filled, but the lessons remain relevant, as pedestrian accidents on Wellington's and Auckland's 21st Century city bus lanes attest. Despite the big question promise of the title there is no Socratic dialogue about crossing the road or any consideration of chickens.
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and people could be imprisoned for providing food to those involved. This award-winning documentary tells the story of the 1951 lockout of waterside workers, and what followed: an extended nationwide strike, confrontation and censorship. There are interviews with many involved, from workers to journalists and police. At the 2002 NZ Television Awards, 1951 won awards for Best Documentary and Documentary Director (John Bates). Costa Botes backgrounds 1951 here.
Using spectral tactics to generate road safety awareness this film carries on from where The Elysian Bus left off, emphasising that the loss of the 300 Kiwis who are likely to die on the roads in the coming year will be more than statistical. A Christmas Carol-style future projection shows gifts being handed out from under the tree, but Mary is not there to receive hers as she was on "the list of names". Actual crash footage drives home the grim message with more solemnity than Ghost Chips. One of the names under the reaper's skeletal finger is spookily 'Peter Jackson'.
Broken Barrier marked the first New Zealand dramatic feature to be made since 1940. Its production saw directors John O'Shea and Roger Mirams crowding into a Vauxhall with two silent cameras, one picked up "from a dead German in the Western Desert". Ditching dialogue for 'spoken thoughts', the pioneering film examines cultural complications in a romance between a Pākehā journalist (Terence Bayler) and a Māori nurse (Kay Ngarimu, aka Keita Whakato Walker). According to O'Shea, some viewers considered it "a dirty movie" for spurring mixed race relationships.
This Pacific Films short provides a vivid snapshot of Australasian motor racing’s coming of age, before brand sponsorship or even crowd safety was on the agenda (look ma, no barriers!) Opening with the ’56 Australian Grand Prix on the streets of Melbourne — where producer Roger Mirams was shooting official newsreels for the Olympics — Stirling Moss scoops another international title, before we head to Auckland where the tragic death of Ken Wharton and a ‘see-sawing duel’ between Reg Parnell and Peter Whitehead makes for a dramatic day at Ardmore.
This item from the long-running National Film Unit series tails cats and feline lovers. The humorous clip from 1956 begins in a woman's bedroom at 6am; the devoted cat owner preens herself and her Siamese cat, in preparation for the Auckland Champion Cat Show. Felines are examined at Auckland's Town Hall for diseases, since "an outbreak of ringworm would be a cat-astrophe"; and a judge dressed in her Sunday best checks over animals before kitty lovers are let into the hall. The Pictorial Parade series began in 1952. In its early years, each Parade consisted of multiple items.
In the pop-plastic milk-bar universe of Bubblegum Valley, true love is on the rocks. Blue pulls up to the Paperdoll Diner in his mint cadillac. Inside, Candy hears gossip that Blue has been untrue. Will Blue's musical extravaganza fantasy reunite him with his true love? Will his gel hold his quiff up for the length of the film? This is an excerpt from Kezia Barnett's confectionary tale of marching girls and rock'n'roll dreams on rollerskates. It was the first funded short shot by cinematographer Ginny Loane; and was scored by indie duo The Brunettes.
In colonial times drowning was so rife it was known as 'the New Zealand death'. This jaunty 1951 educational film is an effort to rid our lakes, rivers and seas of the unfortunate tag through cunning reverse psychology, as swimmers, fishermen and skylarking lads learn "how to drown". It eschews the confrontational realism of many a later PSA for the light-hearted approach: mixing lessons on water safety with silent film-style tomfoolery, gallows humour and the odd bit of sexual innuendo. Features footage of surf lifesavers using the now-archaic rope and reel.