Two of Louis Sutherland’s short film collaborations with Mark Albiston have been invited to Cannes: 2007 drama Run (which Sutherland also stars in), and The Six Dollar Fifty Man — both won special mentions. Their 2013 feature film Shopping screened at Sundance and Berlin, where it won a Grand Prix. The drama school grad’s acting talents have graced TV's The Insiders Guide to Love and Seven Periods with Mr Gormsby.
It’s a great moment when you get sucked into the gravitational pull of the world’s biggest film festival ... to find out our little tales from our wild-west coast can bat with the best international offerings. Sutherland in Take magazine, on attending Cannes Film Festival
Shopping marks the feature debut of Mark Albiston and Louis Sutherland, who were acclaimed for their short films. Set on the Kapiti Coast, the 80s-set drama follows half-Samoan teenager Willie (Kevin Paulo), who is seduced into a world of petty crime. Adrift in muscle cars and boozy lawn parties, he finds stirrings of love, and escape from his volatile Pākehā father. Little brother Solomon (Julian Dennison) must fend for himself. Selected for the Berlin and Sundance Film Festivals, Shopping went on a winning spree at the 2013 NZ Film Awards (including Best Film and Screenplay).
Fifteen-year-old James is a suburban kid who tries to have it all one night on Courtenay Place. A sensitive lead turn from newcomer Aaron McGregor captures the intensity of being taken by the night, as booze and hormones derail romantic intentions. Choice Night was a second short collaboration between director Christopher Dudman and writer Paul Stanley Ward, loosely based on the latter’s experiences as a teenager in 90s Wellington. It was selected for the Clermont-Ferrand (in competition) and BFI London film festivals, and won Best International Short at Geneva.
Little Bushman muso Warren Maxwell goes west in this edition of The Gravy, to meet a trio of artists creating work in the shadow of Mt Taranaki. Waru Wharehoka, an autistic painter, makes abstract works, is obsessed with weapons and zombies, and takes Maxwell on a paddle beneath New Plymouth. Assemblage artist Dale Copeland scavenges plane wrecks on the mountain and dead friend's teeth for her art. And photographer Fiona Clark discusses why she used colour film to snap her controversial 1975 drag queen images, and using a photo to help save the Waitara River.
This short follows Joe Warbrick (Calvin Tuteao, from Nights in the Gardens of Spain), captain of the New Zealand Natives rugby team, as he tries to rouse his battle-weary players to head unto the breach once more, for a test against England. It’s midwinter during the trailblazing, 17 month long 1888-89 tour which left a black jersey legacy. In a changing room that resembles a casualty ward, Warbrick draws breath and leads a stirring haka. Made by brothers Pere and Meihana Durie, Warbrick inspired the All Blacks the day before they demolished Australia by 33-6 in 2009.
In this installment of Sticky Pictures' award-winning art series, the show visits the idiosyncratic Matthew Squire of Levin — whose emergence as a painter in the wake of a life-changing accident is retold with poignant wit. Back in Wellington, Kerry Ann-Lee explains the influence of her Chinese heritage and hardcore-punk on her prolific run of 'zines' and collage-based work. Finally, conceptual artist Gill Gatfield prepares for an exhibition of sculptures using materials as varied as grass, electrified wire and disposable nappies.
Hosted by Francis Kora, this episode of The Gravy is the story of musician and anti-apartheid activist Tigilau (Tigi) Ness, who during the 1970s joined the Polynesian Panthers movement in Auckland. Tigi Ness, the father of hip hop musician Che Fu, recalls his childhood in central Auckland and troubled times with the 1974 dawn raids and protests during the 1981 Springbok rugby tour for which he served nine months in prison. The episode also tells the story of his musical life in reggae bands such as Unity Pacific. Animated segment The Truth takes a look at lambs.
AA Torque Show was a Kiwi motoring show following in the wheelspun tracks of international hit Top Gear. In this episode from the second series, architect Roger Walker takes the new Audi TT off the drawing board for a spin on the Central Plateau; actor and host Danny Mulheron tries to convince superbike champ Aaron Slight that a convertible is more than “a hairdresser’s car” as they drive a Volvo and a BMW coupe to the Gladstone Pub in the Wairarapa; and it’s the final of the Motormouth Cup (“which C-lister will walk away with motoring’s glittering prize”?)
A mutant lamb escapes from the lab after dodgy genetic experiments, and herds of sheep are turned into bloodthirsty predators. Three hapless humans are stranded on the farm as the woolly nightmare develops. They discover a bite from an infected sheep has an alarming effect on those bitten. With his first feature, director Jonathan King (Under the Mountain) provides splatter thrills and attacks a few sacred cows. Black Sheep was invited to 20+ international festivals, where it scored acclaim and multiple awards. The interviews include King, Weta's Richard Taylor, and the cast.
The Gravy was made for TVNZ by Sticky Pictures. The award-winning arts series was described as a “30 minute tour through creative Aotearoa” — usually featuring three stories per episode, but with every fourth show showcasing one subject. Conceived as “a show about creative people made by creative people, both in front of the camera and behind”, it featured presenters who were practising artists: photographer/graphic artist Ross Liew, musician Warren Maxwell, and writer Gabe McDonnell. In total, roughly 170 artists were profiled across The Gravy's 52 episodes.
Teacher Mr Gormsby believes in brutal honesty - and that the education system has gone all namby-pamby. In desperation, a dysfunctional low-decile school employs him.director/co-creator Danny Mulheron was inspired partly by an old school teacher who wore a military beret, and has irreverent fun with the archaic antics of Mr Gormsby. The Dominion Post compared Gormsby to Fred Dagg and Lynn of Tawa; The Sydney Morning Herald found it "darkly funny". Running two seasons, it was nominated for Best Script and Best Comedy in the 2006 NZ Screen Awards.
Seven Periods with Mr Gormsby was a sharp-witted comedy about an appallingly politically incorrect relief teacher. In this episode, the irreverent Mr Gormsby (artfully played by David McPhail) is the unlikely candidate to teach a Human Relationships class. Later, a used condom is discovered in the wharenui and Gormsby's powers of deduction lead him to the culprit. The "darkly funny" comedy (Sydney Morning Herald) was partly based on a former teacher of director Danny Mulheron and was nominated for Best Script and Best Comedy at the 2006 NZ Screen Awards.
Launched in 2005, Artsville was a long-running documentary slot showcasing New Zealand art and artists. The subjects ranged from painters and comic artists, to theatre and dance companies. Pieces varied from hour-long documentaries to multiple items compiled together, all for a late night slot on TV One. Among the directors commissioned were Mark Albiston (award-winner Magical World of Misery), Shirley Horrocks (Questions for Mr Reynolds) and Andrew Bancroft (Book to Box Office). Artsville was repeated on Freeview channel TVNZ 6 (now defunct).
Peter Jackson's love affair with moviemaking and special effects was ignited by seeing the original King Kong (1933) as a child. Jackson's Kiwi-shot remake takes one of cinema's most iconic monster movies, retains the 30s setting and iconic New York finale, and toughens up the "beauty" (Naomi Watts). The film also transforms the male (non-ape) lead from lunkhead to sensitive playwright (Adrien Brody). Exhilarating, Oscar-winning CGI brings the great ape to life, alongside rampaging dinosaurs, and oversized wētā inexplicably absent from the maligned 1976 remake.
Director Danny Mulheron has fun with the subversive character of Mr Gormsby in this irreverently funny series. In desperation, the Tepapawai High School principal has hired paragon of old school values Mr Gormsby (David McPhail) after yet another relief teacher walks out. Forming an instant dislike for fellow teacher 'Steve from Guidance' and frustrated that his trusty cane has been taken from him, Gormsby comes up a unique form of discipline which manages to offend pretty much everyone. Nominated for Best Script and Best Comedy at the 2006 NZ Screen Awards.
The second, but prequel, series to The Insiders Guide to Happiness is chaos theory in action: seven young strangers whose lives intersect are linked together by a bizarre incident. Produced by the Gibson Group, The Insiders Guide mix of meta-tangle story-telling with fresh shooting and faces, saw Love become a hit with the same youth demographic as Happiness. The show went on to win a clutch of Screen Director's Guild Awards and most of the major drama gongs at the 2006 Qantas Film and TV Awards, including Best Drama, Director, Script, Actor and Actress.
The second, but prequel, series to The Insiders Guide to Happiness is chaos theory in action: seven young strangers are linked together by a bizarre incident. In this excerpt from Episode Six, Marty's (Louis Sutherland's) travel writing isn't going anywhere, Nicole (Kate Elliott) gets "wild and crazy and bad" for Halloween, and there's baking romance, sun bed sex, and scratchy shoplifting. The series won several Screen Director's Guild Awards and a clutch of gongs at the 2006 Qantas Film and TV Awards, including Best Drama, Director, Script, Actor and Actress.
Roots reggae act Kora present this Living Room episode from the beach at Whakatāne — hometown for the four Queenstown-based brothers. Then ex-Mental As Anything guitarist Reg Mombassa (born in Auckland as Chris O'Doherty) talks from Sydney about his iconic artworks for Mambo — including the notorious Australian Jesus series — and wonders if he's turning into a blowfly. Finally there’s a profile of outsider artist Martin Thompson, whose painstaking mathematically-based work has travelled from Wellington community workshops to Wallpaper* magazine.
A magazine show with an edge, The Living Room won awards for its creative and dynamic approach to covering the arts. These excerpts from series two cover a wide range of artists, from those working in multimedia to those puttng stencil art on walls. Also featured are dub band Kora, novelist Kelly Ana Morey and drummer Anthony Donaldson. In the second to last clip, Taika Waititi pretends he hasn't done any rehearsals for his one man show Taika's Incredible Show, which features an alien with ridiculous teeth and Gunther the dancing German.
Before their award-winning short films Run and Six Dollar Fifty Man (both invited to Cannes, in 2007 and 2009 respectively), Mark Albiston and Louis Sutherland gave early notice of their talents with this short. Made to showcase the work of students from drama school Toi Whakaari, Dead End chronicles the tensions and preparations as various people converge for a funeral. Director Albiston utilises imaginative angles, music, humour and surprise to inject energy into a familiar scenario. Invited to film festivals in NZ, Sydney and Ourense (Spain).
This episode of the series profiling creative Kiwi culture is presented by hip-hop diva Ladi6, her partner Parkes, and cousins Scribe and Matthias Luafutu. Verse 2, her act at the time (before her solo success) is profiled in her hometown of Christchurch — and Luafatu's journey from prison to drama school is explored (with glimpses of Scribe on the brink of his hugely successful recording career). Other segments visit the air guitar champs and find director Brendan Donovan in New York where he made his debut short with Six Million Dollar Man Lee Majors.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for NZ music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the sun on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who also made follow-up arts showcase The Gravy. These excerpts from the first series show a calvacade of local talent, including an early Flight of the Conchords screen outing.