Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.
Although better known as a songwriter and a spirited champion of New Zealand music, Arthur Baysting made a number of contributions to the screen. In the 1970s he was a scriptwriter on breakthrough dramas Winners & Losers and Sleeping Dogs, while his white-clad alter ego Neville Purvis graced both cabaret stages and a short-lived TV series. He passed away on 3 December 2019.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.
Geoff Dixon began making commercials in the 70s — the decade he launched legendary ad company Silverscreen Productions, whose clients included Cadbury, Toyota, Air New Zealand and Singapore Airlines. Ranging across New Zealand and beyond, his work includes iconic images of South Island back roads, Barry Crump crashing utes through the bush, and Michael Hurst singing a war cry for the Kiwi bloke.
Wellington-raised producer Debra Kelleher has more than three decades experience in the screen industry. She cut her production teeth in Australia (Neighbours, Sale of the Century), before returning home to work on Shortland Street, then cult teen show The Tribe. Kelleher was at the helm of breakfast TV show Good Morning, and five seasons of flagship TVNZ show Dancing with The Stars.
A National Film Unit cameraman for 36 years, Brian Cross worked on a large number of films, ranging from royal tours and rugby tours to industrial progress in forestry and electricity transmission, some as cameraman and director. He is particularly remembered for his record of the maiden voyage of HMNZS. Otago, and for his many films of New Zealand railways.Image credit: Archives New Zealand, ref AAQT 6421 B18889
Claude Wickstead started working at the Government Film Studios in 1938. After serving in WWll, he joined the National Film Unit’s sound department, where he contributed to the soundtracks of a great many films including the long-running series Weekly Review and Pictorial Parade. He was in charge of the NFU Sound Department from 1951 until his retirement in 1977.
Peter Rowley has performed alongside many Kiwi comedy legends, including David McPhail, Jon Gadsby and Billy T James. After debuting on hit 1970s sketch show A Week of It, he joined the ensembles of McPhail and Gadsby and (in 1985) The Billy T James Show. In 1994 Rowley won equal billing alongside comedian Pio Terei on Pete and Pio, before going on to co-star in McPhail and Gadsby's Letter to Blanchy.
As the final manager of the National Film Unit, Doug Eckhoff had the unenviable task of presiding over its demise as the government’s film production agency, and the sale of its assets. Earlier he was a key figure in television news, from the days of the NZ Broadcasting Corporation through to the birth of Television New Zealand. He was also a long-serving trustee of the New Zealand Film Archive (now Ngā Taonga).
Actor Willa O'Neill won awards for her work in two 90s movie hits: Dunedin student thriller Scarfies, and ensemble piece Topless Women Talk about their Lives.