Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.
Although better known as a songwriter and champion of New Zealand music, Arthur Baysting has also made a number of contributions to the screen. In the 1970s he was a scriptwriter on breakthrough dramas Winners & Losers and Sleeping Dogs, while his white-clad alter ego Neville Purvis graced cabaret stages and a short-lived TV series. Since then he has concentrated on writing songs and screenplays.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.
Geoff Dixon began making commercials in the 70s — the decade he launched legendary ad company Silverscreen Productions, whose clients included Cadbury, Toyota, Air New Zealand and Singapore Airlines. Ranging across New Zealand and beyond, his work includes iconic images of South Island back roads, Barry Crump crashing utes through the bush, and Michael Hurst singing a war cry for the Kiwi bloke.
Wellington-raised producer Debra Kelleher has more than three decades experience in the screen industry. She cut her production teeth in Australia (Neighbours, Sale of the Century), before returning home to work on Shortland Street, then cult teen show The Tribe. Kelleher was at the helm of breakfast TV show Good Morning, and five seasons of flagship TVNZ show Dancing with The Stars.
Since the 1970s John Barnett has brought a host of uniquely Kiwi stories to local and international screens, from Fred Dagg and Footrot Flats, to Whale Rider, Sione's Wedding and Outrageous Fortune. As boss of production company South Pacific Pictures for 24 years, he was a driving force behind some of our landmark television dramas and feature films.
A National Film Unit cameraman for 36 years, Brian Cross worked on a large number of films, ranging from royal tours and rugby tours to industrial progress in forestry and electricity transmission, some as cameraman and director. He is particularly remembered for his record of the maiden voyage of HMNZS. Otago, and for his many films of New Zealand railways.Image credit: Archives New Zealand, ref AAQT 6421 B18889
Mai Time and I AM TV host Gabrielle Paringatai-Lemisio swapped presenting in front of the camera for behind the scenes work, and developing education resources. Since leaving the screen to raise children, she has worked as a researcher and writer for TVNZ's Good Morning and Wellington production company Te Amokura Productions.
Graeme Tetley began his long scriptwriting career with Vigil, one of the most acclaimed New Zealand films of the 1980s. He went on to co-create police show Shark in the Park, collaborate extensively with director Gaylene Preston (Ruby and Rata, Bread and Roses), and co-write Out of the Blue, the story of the Aramoana massacre. Tetley passed away on 13 March 2011.
Peter Bland’s creative career encompasses two cultures, dozens of poems, the creation of Wellington’s Downstage Theatre and at least 30 screen roles – among them, his star turn as conman Wes Pennington in Came a Hot Friday.