Anthony Stones worked in design for NZ television for over 20 years, with credits ranging from drama to current affairs. After five years as TV2's head of design, he returned to his English birthplace in 1983. Outside of television, Stones made well-known public sculptures in Aotearoa, the UK and China; he died in China in September 2016, aged 82. Image credit: Photo taken and supplied by Dave Roberts
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.
In 1983, director Geoff Murphy stormed out of the scrub of the nascent Kiwi film industry with a quadruple-barreled shotgun take on the great New Zealand colonial epic. Set during the New Zealand Wars, this tale of a Māori leader (Anzac Wallace) and his bloody path to redress 'imbalance' became the second local film officially selected for the Cannes Film Festival, and the second biggest local hit to that date (after Murphy's Goodbye Pork Pie). A producer-driven recut was later shown in the United States. This 2013 redux offers Utu “enhanced and restored”.
It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”
This whimsical film starring New Zealand artist Michael Smither, animal wrangler Caroline Girdlestone, and cartoonist Burton Silver, documents Smither's quest to learn to fly. It is a documentary in the accepted sense but lyrical and full of surprises. Made by Wellington filmmaker Tony Hiles, edited by Jamie Selkirk (future Oscar winner for The Return of the King), and gorgeously shot on location at Farewell Spit and Wharariki Beach. Smither is well known for his idiosyncratic realist paintings, such as Rocks With Mountain.
Temuera Morrison was acting on screen at age 11. Two decades later he won Kiwi TV immortality as Dr Ropata in Shortland Street, and rave global reviews as abusive husband Jake Heke in Once Were Warriors. Since reprising his Warriors role in a well-regarded sequel, Morrison has starred in Crooked Earth, Tracker and Mahana, hosted a talk show and a variety show, and played Jango Fett in two Star Wars prequels.
This 76-minute documentary looks at efforts to restore the mauri (life spirit) of Northland's Lake Omapere, a large fresh water lake — and taonga to the Ngāpuhi people — made toxic by pollution. Simon Marler's film offers a timely challenge to New Zealand's 100% Pure branding, and an argument for kaitiakitanga (guardianship) that respects ecological and spiritual well-being. There is spectacular footage of the lake's endangered long-finned eel. Barry Barclay in Onfilm called the film "powerful, sobering". It screened at the 2008 National Geographic All Roads Film Festival.
John Terris, QSO, moved from radio into television when the new medium hit New Zealand in the early 60s. Starting as a continuity announcer, he went behind the scenes, directing on the first seasons of TV staples Country Calendar and Town and Around. In 1978 the one time Hutt City mayor began 12 years as Labour MP for Western Hutt, including time as the deputy speaker. These days Terris heads advocacy group Media Matters.
Keith Hawke was behind the camera on landmark TV series Tangata Whenua, and many other productions besides. In the 80s he reinvented himself in Asia as a director/producer of television and corporate videos, working in Hong Kong, Singapore and Malaysia.
This 1968 Looking at New Zealand episode travels to NZ’s third-largest island: Stewart Island/Rakiura. The history of the people who've faced the “raging southerlies” ranges from Norwegian whalers to the 400-odd modern folk drawn there by a self-reliant way of life. Mod-cons (phone, TV) alleviate the isolation, and the post office, store, wharf and pub are hubs. The booming industry is crayfish and cod fishing (an old mariner wisely feeds an albatross); and the arrival of tourists to enjoy the native birds and wildness anticipates future prospects for the island.