Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
This fresh, unhurried film is drawn from a substantial interview with renowned writer Janet Frame by Michael Noonan; filmed largely at at Frame’s then-home on Whangaparoa Peninsula. It was part of the Three New Zealanders series made to commemorate the 1975 International Year of Women — an early John Barnett production. The rare footage of Frame — here aged 50 — presents a confident writer in her prime, and negates any stereotypes about Frame's inarticulacy or shyness. Note: the segments from the programme dramatising some of Frame’s work are not included here.
This excerpt from Holmes features a rare interview with author Janet Frame, filmed in 2000 to mark the release of Michael King's Frame biography, Wrestling with the Angel. Reporter John Sellwood visited Frame at her Dunedin home, along with King, who is also interviewed, and provides some valuable perspective on Frame's writing. Sellwood charmed Frame by playing the bagpipes, which reminded her of her father, but she is still a reluctant interviewee, who prefers to chat about lighter topics than reflect on her distinguished literary career.
Janet Frame (1924 - 2004) is an icon of New Zealand literature and her international reputation rests on an original, "edge of the alphabet" use of language. She was twice rumoured to be short-listed for the Nobel Prize, and was acclaimed as "one of the great writers of our time" (San Francisco Chronicle). Her life and work have notably been translated to screen.
Celebrating the 75th anniversary of government filmmakers the National Film Unit, this collection pulls highlights from the 370+ wartime newsreels, tourism promos and Oscar nominees from the NFU which can be watched on NZ On Screen. Curated by NFU expert Clive Sowry, the collection includes backgrounders by Roger Horrocks, plus Film Unit alumni Sam Pillsbury, Paul Maunder, Arthur Everard and Lynton Diggle.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
Whale Rider director Niki Caro’s fourth short film is comprised of six vignettes — each focusing on a different elderly man. With minimal supporting cast (Joel Tobeck has a cameo as a competence-challenged waiter), the men talk mainly to themselves or the camera. Shot on Super 8mm (with graphics from an overhead projector), Old Bastards attempts to “subvert our kindly and slightly condescending view of old men”; its dark alternative view instead paints the aging male as vigorously intolerant, lecherous, impotent, trapped or just lost.
This Artsville documentary (full title: Under the Skin of the Auckland Life Drawing Group) visits a group of artists who have been gathering together for over 30 years to take part in a life drawing. Group members — sculptor Terry Stringer and painters Jan Nigro, John Andrew and Mary McIntyre — talk about the inspiration that the models provide and the journeys they take the images on in terms of their own art. The early history of art schools in Auckland is discussed and the nude models break their silence to discuss the enjoyment they get from participating.
Made for TV ONE’s Montana Sunday Theatre slot, this award-winning one-off drama stars Peter Elliott as a disgraced lawyer, who may or may not have a gambling problem. A down-on-his-luck reporter (Mark Clare) on the trail of the story finds there is more to it than meets the eye, and decides to scam the scammer, with dangerous consequences. Writer/director Jonothan Cullinane went on to make the feature film We’re Here to Help.