New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe.
A law change in the 1980s gave mentally-handicapped children the right to be educated at New Zealand state schools. This 1991 doco examines the pros and cons of mainstreaming special needs children, by looking at the schooling of severely brain-damaged child Jessica Palmer. Teachers both for and against mainstreaming are interviewed, alongside Jessica's parents. Palmer's teacher Sue Dunleavy admits there have been noise issues at times, but thanks to Jessica's presence her classmates have "learnt acceptance and caring and understanding, and it's taken the fear away."
The Insatiable Moon is the tale of a man with nothing but wisdom, joy and possibly a direct line to God. Arthur (Rawiri Paratene) wanders the streets of Ponsonby, where he finds perfection (Sara Wiseman) just as his community of boarding house friends faces threat. Producer Mike Riddell first wrote The Insatiable Moon as a 1997 novel, inspired by people he met while he was a clergyman in Ponsonby. The film’s extended development almost saw it made in England with Timothy Spall - before finally coming home, “on half a shoestring and a heap of passion”.
Before turning to directing, Barry Barclay did more than five years training to become a priest. That experience surely percolates through his film Ashes, with its reflections on identity, spirituality and living (or feeling) apart from others. The film centres on the thoughts of four people: an artist, a woman struggling with her identity as a high achiever, an actor, and a priest. Are all of them acting, or only Sam Neill? The film features readings from Ash Wednesday, the poem written by TS Eliot after converting to anglicanism. Ashes screened on NZ television on 17 March 1975.
Anne and Gordon left high school unable to read or write to a basic level. This documentary follows their progress with the Auckland Adult Literacy Scheme, and culminates with the pair sitting the written and oral exam for their drivers' licence. Anne found innovative ways around the kids' bedtime stories, but froze when it came to filling in forms. Gordon has been driving illegally for years; he wants to ace his drivers' test and finds an acceptance within the Adult Literacy Scheme he never did at school. The First Hand series has a stripped back style, using small cameras and crews.
Half-hour documentary Paper Boat uses off-screen interviews to follow the process of creating a book, from idea to book store. The chapters are built on interviews with an author; editor; designer; a printer and a binder; and finally a bookseller and a librarian — the latter talks about libraries as places of welcome and acceptance. The film's title was inspired by Gregory Kan's poetry collection This Paper Boat. Writer and ex librarian Alex Mitcalfe Wilson's debut film was one of three "advocating for art on the margins", which debuted on website The Lumière Reader.
Former pro wrestler Wilbur McDougall was battling addiction and self-imposed isolation before undergoing gastric sleeve surgery. For this serio-comic documentary, he let university mate J Ollie Lucks film his journey of transformation. McDougall needs a new wrestling persona — and the "happiness and self-acceptance that has eluded him for so long". Will his friendship with Lucks survive, as the filmmaker jumps at the story from the top rope? Lucks and Julia Parnell's feature began in 2015 as a short film for Loading Docs. The long version debuted at 2017's Doc Edge Festival.
Bookended by cameo appearances from the Queen and Robert Muldoon, this National Film Unit short offers a brief history of the various buildings that graced Wellington’s parliamentary lawns, before moving to the main event: the design and building of the Beehive. Plans are drawn up after acceptance of Scottish architect Sir Basil Spence’s “bold, circular design”. Then we watch as one of NZ’s most iconic structures is born from a gaping hole in the ground in 30 seconds of swift cuts. At the official launch, a still youthful looking Queen expresses her approval.
A plain tale about the swollen secretions of suburban love. In middle class Auckland vulnerable passions break the surface as Laura (Meryl Main from Highwater) aggressively pursues love and acceptance, finding something very like it right next door. For director Niki Caro this one-hour drama was a watershed in her career. It was her ultimate drama production before embarking on a feature film career; it screened as part of the Montana Theatre series on TV One in 1995. Plain Tastes features Marton Csokas and Kate Harcourt. Producer Owen Hughes writes about Plain Tastes here.