Open Home was a 90s series looking at New Zealand homes and the people making, designing and living in them. This episode from the third season ranges from deconstructionism to DIY. Builder (and future Dunedin mayor) David Cull checks out a Northland glasshouse designed by Nigel Cook, before visiting the renovated Australian farmhouse and digital recording studio of Dragon band member Todd Hunter. Susan Wood tries translating the architectural theory of deconstructionism with the help of Auckland architects, including Mark Wigley.
This award-winning Attitude episode follows an ‘early onset’ sufferer of Parkinson’s disease — 48-year-old Auckland marketing consultant Andy McDowell. McDowell narrates as he struggles with the effects of the degenerative neurological condition on his relationship with his wife, family, and career. The episode includes a visual poem made to communicate his condition to his two young daughters, and an Outward Bound stint. McDowell hopes to qualify for Deep Brain Stimulation — a risky ‘bionic’ surgery that may help his co-ordination and uncontrolled movements.
This 1999 documentary see presenter Gary McCormick exploring the lives of New Zealand expats living in London. London Kiwis – including MTV Europe head Brent Hansen, Angel at My Table actor Kerry Fox, chef Peter Gordon, house-boaters Karyn Hay and Andrew Fagan, and drunk backpackers at The Church – reflect on their overseas experience and the meaning of home. Produced alongside a companion documentary on Kiwis in Ireland, London Connection was a further collaboration between McCormick, director Bruce Morrison and producer William Grieve (Heartland).
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.
The Veils, fronted by Finn Andrews — dressed in tailored suit and beloved hat — have carved a gothic-tinged niche for their sometimes rawly emotional songs. The son of XTC keyboardist Barry Andrews, Finn grew up in England and New Zealand. After quitting high school in Auckland, he moved to London and formed the band. Within two months record labels were hovering; Andrews eventually signed with Rough Trade (The Smiths, Pulp). The original line-up folded in 2004; The Veils reconfigured for second album Nux Vomica. After the acclaimed Sun Gang (2008) came 2013's Time Stays, We Go and 2016's Total Depravity.
This 80s pop outfit went through a number of evolutions. They began as Splash Alley (with a name change suggested by Barry 'Dr Rock' Jenkin). Following the departure of original vocalist (and future Radio with Pictures host/TV producer) Richard Driver, Andrew Snoid was recruited from The Whizz Kids (who became Blam Blam Blam). With songs to burn and initial management from Mike Chunn, Pop Mechanix seemed poised for success — but a fruitless stint in Australia (and litigation over their name) undid them and further progress was marred by a chart-rigging fiasco and unsympathetic production.
These clips offer up a selection of Kiwi news bloopers. First, Sacha McNeil presents a retrospective of unscripted moments from TV3’s first 25 years of news: newsreaders sneeze and laugh, and reporters face rogue weather, animals, dance routines, and lashings of champagne from Olympic champions. Then presenter Hilary Barry laughs at inappropriate moments on The Paul Henry Show: she starts an extended battle with the giggles while mentioning All Black Waisake Naholo’s broken leg (2015). In 2016 she succumbs to laughter over an emergency defecation situation.
The Mockers had a breakthrough year in 1984. Their sixth single 'Swear It's True' caught New Zealand's attention, and in May their debut album peaked at number four on the Kiwi charts. In June they played Mainstreet for one of 1984's batch of Radio with Pictures specials, spawning the live album Caught in the Act, which was released in July. Vocalist and part-time poet Andrew Fagan cuts a piratical figure in his sailor's jacket and trademark fingerless gloves. Dunedin band The Idles were a lesser known proposition. They made ripples in 1984 with their first EP, 'Agroculture'.
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
John Clarke was one of New Zealand’s best-loved comic performers. His 1970s farming character Fred Dagg became an icon of Kiwi comedy. Clarke worked as a comedian, actor, writer and director. His satirical television series The Games was an Australian Film Institute award-winner. Although based in Australia since 1977, he lent his unmistakeable comic voice to Kiwi TV comedies bro’Town and Radiradirah. In a departure from our usual ScreenTalk format, this extended audio interview was produced and recorded by Andrew Johnstone and Richard Swainson with the assistance of Hamilton Community Radio and The Film School.