Andrew Shaw has experience of both sides of the camera. After debuting in his teens as a popular children's TV host, Shaw went on to spend time as producer and director, on a variety of music programmes and live shows. These days he is a TVNZ executive, responsible for commissioning and buying programmes.
There’s a hundred audiences, and the same audience is happy today, sad tomorrow, looking for drama one day, wanting to answer the puzzle on Wheel of Fortune the next. Andrew Shaw
From its impressive cinematography, to its broad range of stories and characters, Country Calendar reflects the backbone of New Zealand culture. The country's longest-running television show still tops the NZ On Air Top 10 most weeks. TV producer Jon Bridges, Governor-General Patsy Reddy and broadcasting minister Kris Faafoi are among those reflecting on the show’s importance, in this video celebrating NZ On Air's 30th birthday. TVNZ executive Andrew Shaw provides 'The Inside Story', and muses on how the show really belongs to all New Zealanders.
This 2010 telefeature is based on the true crime story of South African-born Dr Colin Bouwer (played by Mark Mitchinson), who used his medical knowledge to poison and kill his wife Annette. A Dunedin doctor and policeman foiled his plot to get away with murder. Directed by Peter Burger (Until Proven Innocent), Bloodlines won gongs for actors Mitchinson and Craig Hall at the 2011 Aotearoa Film and Television Awards, and nominations for Burger's direction, Donna Malane and Paula Boock's script, and the work of actor Nathalie Boltt.
From the Archives: Five Decades celebrated of 50 years of television in New Zealand. The five-part series launched TVNZ's Heartland channel on Sky TV, on 1 June 2010. The host was children's TV presenter (Hey Hey It's Andy) turned TV executive Andrew Shaw. Each slot showcased a specific decade — from the 1960s to the 2000s — and featured archival TV programmes and clips. Shaw also did a short interview with a person who had a high television profile in that decade. Those interviewed were Ray Columbus, Brian Edwards, David McPhail, Peter Elliott and Paul Holmes.
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
In 2010 TVNZ’s Heartland channel celebrated the 50th anniversary of television in New Zealand by producing a decade by decade survey. This interview, taken from the 1960s instalment, sees the late Ray Columbus interviewed by Andrew Shaw. The pioneer of pop music in New Zealand reflects on the role that TV played in his career, from Club Columbus to C’Mon, to co-creating That’s Country. He muses on being a pop star in front of the camera, and working behind the scenes in television. Shaw asks him to rate the best song he’s recorded and his best TV performance.
Marking New Zealand television’s 50th birthday, this TVNZ Heartland series looked back at the medium's history, decade by decade. Each episode featured an interview with a prominent TV figure from the era. In this excerpt from the 1970s survey, host Andrew Shaw interviews broadcaster Brian Edwards, who reflects on changes in TV political interviewing from veneration to confrontation, and the impact of Muldoon; his key role in brokering a Post Office dispute, live on screen; and the birth of consumer affairs show Fair Go, and why it has lasted so long.
To mark 50 years of television in Aotearoa, TVNZ's Heartland channel picked gems from the archive, and surveyed local TV history decade by decade. Each episode in the series featured an interview with a Kiwi TV personality. In this interview from the 1980s slot, comedian David McPhail chats to Andrew Shaw. McPhail describes his involvement in what Shaw calls the "golden age of comedy" (A Week of It, McPhail and Gadsby). He touches on current affairs, screen chemistry, his famous impersonations of Prime Minister Rob Muldoon, and the catchphrase "Jeez Wayne".
This Heartland channel series marked 50 years of television in New Zealand. Each episode chronicled a decade of screen highlights, alongside an interview with a personality who worked in that era. In this excerpt from the 1990s episode, host Andrew Shaw chats to Peter Elliott about his TV career, from painting the floor for Grunt Machine to becoming a high profile actor (Gloss, Shortland Street), and presenter (Captain’s Log). Elliott reflects on the Shortland Street (and Civil Defence advert) curse, and the screen industry’s growing confidence in telling local stories.
In this excerpt from TVNZ Heartland’s look back at Kiwi TV history, presenter Andrew Shaw sits down with veteran broadcaster Paul Holmes to discuss his career. The 2010 korero begins with Holmes' comment that he initially saw broadcasting as a platform to pursue his acting aspirations. Holmes then ranges across tales of radio DJing and ratings wars; the challenges of his high profile transition to TV current affairs, and 15 years hosting his primetime show; and jumping ship to Prime, then returning to TVNZ to work on Q+A and Dancing with the Stars.
In the first episode of The Cult, headstrong lawyer Michael Lewis (Shortland Street's Renato Bartolomei) joins a volatile group in a Northland house. Each of them has lost a family member or friend to commune Two Gardens, and wants to get them out. Meanwhile, inside Two Gardens, Michael's son is asked to "renounce" his own brother. Created by Kathryn Burnett and Peter Cox, The Cult won Qantas awards for acting, design, music, cinematography, and editing — and was nominated for another four acting awards. Peter Burger (Until Proven Innocent) directs this first episode.
In this reality show Phil Keoghan (The Amazing Race), ambushes contestants and bids them to overcome a challenge with limited time (three days) and resources. This episode ditches the self-help aspect and ups the machismo by having a freezing worker, southern shepherd, champion rower, trans-Atlantic race winner, Kiwi league legend, and ex-Mr New Zealand compete in old school elimination challenges for NZ's 'toughest man' title. Future Olympic champ Eric Murray is the young buck wrestling for the hardman mantle with wily Mark 'Horse' Bourneville.
No Opportunity Wasted was a reality show devised by Phil Keoghan, Emmy Award-winning Kiwi host of The Amazing Race. In the show Keoghan ambushed contestants and gave them a limited time (three days) and limited resources (usually $3000) to ditch the excuses and "live life now". Challenges included swimming with sharks, building a giant community playground, and a NZ tough guy competition (that included future Olympic champion rower Eric Murray). The New Zealand edition followed on from the inaugural series that screened on Discovery Channel in the US in 2004.
Being Eve was a popular and self-aware comedy-drama for teens. It launched the career of actor Fleur Saville, who played 15-year-old teen anthropologist Eve. This excerpt from episode 22 of series two sees angst and ambition collide, as Eve dreams of Hollywood success via a school Shakespeare production. Shakespeare himself makes a cameo (as Eve's muse), while she struggles with her original vision for the classic. But will she be upstaged by Sam? The series later won best drama at the 2005 NZ Screen Awards, and fostered young directing and producing talent.
It was third time lucky for twice-engaged Nick (Karl Burnett) and Waverley (Claire Chitham) to finally make it to the altar. Since first getting together in 1994, viewers had followed Nick (who joined Shortland Street on episode two) and Waverley through sickness and health, estrangement, and even a kidnapping during a previous marriage attempt. Their union was dubbed the TV wedding of 2002. The nuptials saw the return of Marj (Elizabeth McRae) and Jenny Harrison (Maggie Harper). In May 2017 the couple were set to return from Taranaki, for Shortland's 25th anniversary.
This quirky, upbeat comedy-drama looked at teen life through the eyes of 15-year-old Eve (Fleur Saville). Something of an amateur teen anthropologist, Eve questions everything in her world, musing on life to the camera. The series' fresh, self-aware style appealed directly to media-savvy teenagers. The TV3 series launched Saville's TV career, fostered young directing and producing talent, won many awards (including Best Drama Series at the 2002 NZ TV Awards) and was nominated for an International Emmy. It sold to over 40 territories, including the United States.
Hosted by Jason Gunn, McDonalds Young Entertainers was a popular late 90s talent quest for teenagers. A house troupe of singers and dancers (Super Troopers, a Kiwi take on Disney's Mickey Mouse Club) helped the contestants prepare for the judges, and opened and closed each show. Judges included King Kapisi, Tina Cross and Stacey Morrison. Young performers who featured included Ainslie Allen, Hayley Westenra, Sticky TV/C4 host Drew Neemia, actor Michelle Ang (Neighbours, Fear the Walking Dead: Flight 462) and concert pianist John Chen.
Corbans Fashion Collections was a live event and TV special staged annually in the 1990s, where local fashion houses showcased their upcoming collections. The producer of both the live shows and the TV programmes was Pieter Stewart, who went on to launch NZ Fashion Week. This 1995 show is narrated by Craig Parker and Alison Mau; Fashion Quarterly editor of the time, Paula Ryan, gives style tips; and Geeling Ng and Hinemoa Elder feature as celebrity models stepping out for Francis Hooper and Denise L'Estrange-Corbet's World label.
Corbans Fashion Collections was a live event and TV special staged annually in the 1990s, where local fashion houses showcased their upcoming collections. The producer of the live show was Pieter Stewart, who went on to launch NZ Fashion Week. In this 1994 show, Shortland Street stars pock the front row, Alison Mau, Paula Ryan and designers opine on the dress code, grunge doesn’t appear to have impacted on the à la mode pastel styles (Zambesi and NOM*D are typically dark in contrast), and NZ On Screen editor Paul Ward channels Zoolander as a teenage male model.
In these excerpts from TV2's mid-90s late night news show, reporter Mark Staufer talks to Chic Littlewood about a TV career that has taken him from Chic Chat, his 1970s kids show (with puppets Nowsy and Willie McNabb) to playing policeman Laurie Brasch on Shortland Street. Andrew Shaw, whose show followed Chic Chat, reveals a studio shortage at TVNZ at the time. Meanwhile Marcus Lush goes behind the scenes at a luxury Auckland hotel, only to discover a notable lack of TV set destruction from its rock star clientele. Perhaps they were too busy with the telescopes.
Clash of the Codes was a made-for-TV series that pitted teams representing various sports against each other in a series of devised physical challenges. In this final episode from the first series, rowing and canoeing are the frontrunners, with plenty of Olympic podium experience on both teams (Ian Ferguson, Eric Verdonk and Chris White, plus world champ sculler Phillipa Baker). They tackle a steep bush rescue and the army confidence course at Whangaparaoa Peninsula. A young Marc Ellis (rugby) gets early practice playing the larrikin onscreen.
This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directed coverage of the ballet.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
Corbans Fashion Collections was a live event and TV special staged annually in the 1990s, where local fashion houses showcased their upcoming collections. The producer of both the live shows and the TV programmes was Pieter Stewart, who went on to launch NZ Fashion Week. The first special screened in 1990, and the last in 1997 (the 96 and 97 shows changed names to Wella Fashion Collections as a new sponsor came on board). In 1998/99 the show morphed into the Wella Fashion Report, four seasonal specials screening in Spring, Summer, Autumn and Winter.
The basic format of Blind Date involves putting a series of questions to three potential dates who can't be seen. First in the driver's seat is Natalie, a “part-time actress and model who would love to meet somebody fast and exciting” — although not too fast. Her choices are a “Greenpeace supporter”, an accounts clerk, and a welder who likes to work out. Watch out for Suzanne Paul as one of the show's later suitors, who gets laughs for making clear the romantic impact of a well-built wallet. Two contestants also provide a post-mortem on their blind date.
The first guest on this episode of the Neil Roberts hosted chat show is none other than Sir Robert Muldoon, who recounts a quiet lunch with the Queen, his confidence Winston Peters will be NZ’s first Māori Prime Minister, and his decision to perform in The Rocky Horror Show. When joined by UK actor James Faulkner (The Shadow Trader), Muldoon discusses the policies of “close personal friend” Margaret Thatcher before another Queen gets a nod, as When the Cat’s Away celebrate 'Melting Pot' hitting number one by singing the acapella opening of 'Bohemian Rhapsody'.
A big smoke cousin to Mortimer's Patch, Shark in the Park was New Zealand's first urban cop show. Devised by Graeme Tetley (Ruby and Rata), it portrayed a unit policing inner city Wellington, under the guidance of Inspector Brian 'Sharkie' Finn (Jeffrey Thomas). With its focus on the working lives of the officers, the show followed the character-based storytelling of overseas programmes like The Bill and Hill Street Blues. The first season marked one of the last in-house productions for TVNZ's drama department. The next two series were made independently by The Gibson Group.
The Mockers had a breakthrough year in 1984. Their sixth single 'Swear It's True' caught New Zealand's attention, and in May their debut album peaked at number four on the Kiwi charts. In June they played Mainstreet for one of 1984's batch of Radio with Pictures specials, spawning the live album Caught in the Act, which was released in July. Vocalist and part-time poet Andrew Fagan cuts a piratical figure in his sailor's jacket and trademark fingerless gloves. Dunedin band The Idles were a lesser known proposition. They made ripples in 1984 with their first EP, 'Agroculture'.
This weather-themed Kiwi classic spent 21 weeks in the charts, and became one of DD Smash's biggest hits. The quirky, light-hearted video was played repeatedly on Saturday chart show Ready to Roll, and won Best Music Video at the 1983 New Zealand Music Awards. It was directed by a young Andrew Shaw (of Hey Hey It’s Andy fame, later an executive at TVNZ). DD Smash singer/songwriter Dave Dobbyn hams it up in Adidas tracksuit and yellow raincoat, while drummer (and 1980s heartthrob) Peter 'Rooda' Warren appears in his speedos.
This concert from May 1983 finds Dance Exponents — one of five bands filmed for a Radio with Pictures live series — with their star on the rise, but yet to release their debut album. An irrepressible Jordan Luck and band mates Dave Gent, Brian Jones and Mike Harralambi perform six songs in front of an enthusiastic full house, at Auckland's premier venue Mainstreet Cabaret. Highlights include a sparse, urgent 'Victoria' and a barnstorming 'Airway Spies'. Opening song 'Perfect Romance' was only ever released in this version on a companion live album.
As soon as the guitar line of 'Blue Lady' sparks up, the sea of perms, sweaty denim and cigarettes starts jumping. The Legionnaires (Hello Sailor reincarnated) were one of several top Kiwi bands to record live Radio With Pictures specials at Auckland's Mainstreet Cabaret during the 1980s. Their eight-strong set list contains bonafide hits like 'Blue Lady' and Graham Brazier's ode to his Liverpudlian roots, 'Billy Bold'. Another highlight is a moody rendition of 'Remember The Alamo' from guitarist and singer Dave McArtney's Pink Flamingos' catalogue.
Live from Auckland's Mainstreet Cabaret, this Radio with Pictures special showcases bands Coconut Rough and The Narcs. Coconut Rough open their six song set with an instrumental and close with 'Sierra Leone', after proving they're much more than one hit wonders. RWP host Karyn Hay then introduces the "high energy rock" of The Narcs. The driving keyboards of second track 'Look the Other Way' hint at how the band's sound was broadening. Label CBS released both gigs as album Whistle While You Work, which reached number 17 in the New Zealand charts.
Was there a cooler band in the world than The Clean in 1982? Skinny suits, round sunglasses, video performances aping the great old Monkees' moves but tuned to the "deadpan" setting. Rubbish dump. Derelict building. Cemetery. Check. TVNZ's Andrew Shaw travelled south to Christchurch to direct this one, but he kept the clip faithful to the band's style for this now iconic tribute to indie nihilism.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
This track by Auckland post-punk trio Blam Blam Blam became a theme song for the long, troubled winter of 1981, as New Zealand was wracked by division during the Springbok rugby tour. Poet and playwright Richard von Sturmer wrote the lyrics; the music was by Blams drummer Don McGlashan. The video features the band after dark on the roof of TVNZ’s old Shortland Street studios in Auckland, alongside fleeting shots of Kiwi celebrity lawnmowing. The dancing Marmite and Vegemite jars were originally created for a piece of political theatre written by von Sturmer.
After four years as part of Hello Sailor, guitarist Dave McArtney stepped out with his own band The Pink Flamingos — and found himself very much the centre of attention in this video made by TVNZ for the Flamingos' debut single. With only his guitar for support, he roams the streets of downtown Wellington stalking the object of his desire, who remains largely impassive despite his protestations — and all but obscured in a haze of cigarette smoke. Locations include an empty Cuba Mall (beside the bucket fountain) and Plimmer Steps. McArtney died in April 2013.
The launchpad for Billy T’s rise to television superstar, Radio Times recreates an era when home entertainment involved another type of box entirely. Inspired by 30s and 40s era radio extravaganzas, producer Tom Parkinson creates a show complete with swinging dancehall band, adventure serials and coconut shell sound effects. Parkinson’s masterstroke was casting Billy T as the oh-so-British compere glueing everything together (and occasionally sliding effortlessly into a different accent). The Yandall Sisters, singer Craig Scott and writer Derek Payne also feature.
For a generation of music fans before the internet, show Radio with Pictures was a vital link to local and international music — and essential viewing before TV2's Sunday night horror movies. Following on from Grunt Machine in 1976, its presenters included Karyn Hay, Dr Rock (Barry Jenkin), Dick Driver Phil O'Brien. RWP's extended run coincided with the rise of MTV and the music video, and a burgeoning 1980s New Zealand music scene. Videos were a staple, but artist interviews also featured. The show also staged a number of Mainstreet concerts featuring leading local artists.
Telethon was a 24-hour live television spectacular aimed at securing donations from viewers for a charitable cause. The first, in 1975, launched the second channel (TV2) and raised over half a million dollars for St John's Ambulance. By 1981 Telethon had hit the $5 million mark. Along with willing local celebrities, volunteers and a receptive public, it attracted overseas stars: Basil Brush, Entertainment Tonight's Leeza Gibbons and Coronation Street's Christopher Quinton (who famously got together after the 1988 show). "Thank you very much for your kind donation!"
Teen presenter Andrew Shaw arrived on Kiwi television screens in the mid 70s, in a children's slot which began as TV2 Presents Andy, but was soon retitled Here's Andy. Shaw acted as a host, linking the afternoon's programming live to air, so little was recorded for posterity. This selection of opening sequences includes animated scenes of dancing animals, and images of Andy clowning around, or dressed up as muscleman and spaceman. There are also shots of him taking a Kenworth for a spin, and visiting MOTAT. The high speed final reel was used on follow-up show Hey Hey It's Andy.