Jonathan Brough’s documentary on the making of Whale Rider travels from the East Coast town of Whangara, where the mythical whale rider Paikea landed, to Hollywood. This excerpt concentrates on the movie’s vital special effects component: nine whales, brought to the screen through a combination of life-sized models and digital effects. The models were made by Auckland company Glasshammer; the largest measured 65 feet in length. The human element was also important, with actor Keisha Castle-Hughes describing the challenges of filming the whale-riding scenes.
The Fantasy Cave is a DIY Disneyland built in the town of Dannevirke. Created by a group of older locals known as ‘Cave Dwellers’ as a Christmas-themed grotto in 1989, the cave has evolved to become a quirky tourist attraction, encompassing animatronics and astral light displays. Directed by Michelle Savill (Ellen is Leaving) and cinematographer Matt Henley, this 2015 Loading Docs short introduces us to the horse-headed retirees and their homespun wonderlands, and the happiness they find in “making stuff”.
This madcap, Qantas award-winning TV2 children's show gives young inventors the opportunity to realise their ideas. It was created by Neil Stichbury and Luke Nola after their zany inventions show for kids, The Goober Brothers, had viewers sending in their own suggestions. There's serious intent in the mayhem with practical science explanations and intellectual property safeguarded. Contributors over six series (to 2012) have included engineer Chris Chitty (creator of animatronic sheep for the film Babe) and Sam Britten (son of motorcycle designer John Britten).
A mutant lamb escapes from the lab after dodgy genetic experiments, and herds of sheep are turned into bloodthirsty predators. Three hapless humans are stranded on the farm as the woolly nightmare develops. They discover a bite from an infected sheep has an alarming effect on those bitten. With his first feature, director Jonathan King (Under the Mountain) provides splatter thrills and attacks a few sacred cows. Black Sheep was invited to 20+ international festivals, where it scored acclaim and multiple awards. The interviews include King, Weta's Richard Taylor, and the cast.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.
Lani Tupu, sometimes credited as Larney Tupu or Lani John Tupu, is the first Samoan to have starred in a Kiwi television series; in 1985 he segued from theatre onto the screen, to play doctor David Miller on period TV drama Country GP. The New Zealand-raised Samoan then relocated to Australia, where his many screen roles include Lantana, sci fi success Farscape, and a TV reboot of Mission Impossible.
Kevin Riley worked his way up from gaffer to cameraman to cinematographer, after beginning his working career as an electrician. Along the way he set up Auckland equipment company Cinestuff, founded the New Zealand Cinematographer's Society, and has provided a wide range of images from muscle-clad heroes (Hercules) to the highly competitive world of pub quizzes (Nothing Trivial).
Fed up with seeing animals unintentionally mishandled on set, former farm girl Caroline Girdlestone decided to do something about it. Now one of the most respected animal trainers in Australasia, she’s worked with almost any animal imaginable across more than 500 projects – ranging from the cute barnyard animals of Racing Stripes to the horrifying ovine creatures in Black Sheep.