Christchurch-born Jessie Scott was a rarity in 1914: a qualified doctor in a male dominated profession. But as this Great War Story shows, her bravery overcame even greater hurdles. Joining the Scottish Women’s Hospitals for Foreign Service, Dr Scott treated Serbian and British wounded in the Balkan war against Austria. Left behind during a retreat, she was captured but later released. That didn’t end her war. She went back to the front line, this time serving with Russian forces in Romania. Dr Scott's efforts earned her the Serbian Order of St Sava.
Called up at the start of World War II, George Shadbolt spent six years in the British Army. As a member of the Royal Corps of Signals he spent much of it behind the lines, installing and maintaining vital communications networks. Shadbolt — 99 at the time of this interview — covered 1000s of kilometres through North Africa and the Middle East. It wasn’t until late in the war that he saw action in Italy, bringing communications lines to tanks at the front. The task offered little protection; Shadbolt deemed it the army's most dangerous job. Shadbolt passed away on 9 August 2017.
The adage that in a long-term relationship things can get a little like clockwork is given a twist in Time for Change. A simmering spousal feud between two wooden figurines on the town clock of an Austrian village, comes to a head with unexpected results. Lederhosen, accordions, and desire for a young blonde are oiled with a keen sense of black humour. Made by students in the 3D course that director James Cunningham teaches at Media Design School, the film won viewers online, selection for SIGGRAPH, and a Big Kahuna (best animation) at the Honolulu Film Awards.
"My life is here, but my soul is there." So says immigrant Maria Stanisich in this look at NZ's Dalmatian community which, after more than a century down under, maintains a strong connection to its European homeland. Using interviews with a range of people, this episode examines the history of those arriving in New Zealand from the Dalmatian area of the Adriatic, now Croatia. Many worked on the gumfields, where discriminatory laws favoured British subjects; some formed relationships with local Māori, before bringing proxy wives over from Europe.
Alien Weaponry shot to prominence in 2016, after becoming the first band to win both the Smokefree Rockquest and Pacifica Beats contests, with their unique brand of te reo-infused thrash metal. The band's debut single 'Urutaa' followed later that year. Released in 2018, first album Tū was streamed over a million times on Spotify in its first week of release. Signed to Austria's Napalm Records, Alien Weaponry performed at Slovenia’s Metaldays festival, plus one of the world's largest heavy metal fests — Wacken Open Air in Germany — fulfilling drummer Henry de Jong's goal of playing at Wacken before he turned 20.
When John Hyde first sought work in television he was advised to "get into the cutting room". His first job was as an editor at Television New Zealand, but Hyde soon made the jump to directing and producing. Today he reaches huge international audiences, helping command documentaries and reality series that focus on massive architectural structures, and showcase the wonders of the natural world.
While studying fine art at Elam, Niamh Peren won the Best Moving Image prize for The Great Bunny Hunt. Her shorts Moustache Me Oh My and Bubblegum have played on Austria's Channel Okto. As an actor Peren has appeared in Stephen Kang's Cannes award-winning short Blue, and acclaimed docudrama Erebus: Operation Overdue. She also shared camera duties on Florian Habicht's Land of the Long White Cloud.
German-raised Alexander Behse has produced a run of documentaries exploring Māori subjects, from ta moko to te reo Shakespeare, to acclaimed Tūhoe HQ story Ever the Land. Behse got an MA in production from UTS Sydney, and has many TV credits as an editor. He made his directing debut with 2012 TV documentary Nazi Hunter, and was at the helm of award-winning TV series Radar Across the Pacific.