With his impassioned enthusiasm and trademark beard, English naturalist David Bellamy made this well known 1989 community service message for the Department of Conservation. “It’s a nasty, horrible plant and it’s smothering and killing New Zealand’s native bush, and that is a catastrophe ... a trim is not enough — we’ve got to destroy it in every way we can — old man’s beard must go!”. Bellamy is a long-term advocate for the conservation of NZ’s natural heritage, presenting the Moa’s Ark series, as well as famously promoting Woolmark carpet.
Englishman David Bellamy is a world famous botanist, author, broadcaster and conservationist. He came to prominence in New Zealand in the 1970s and 1980s with numerous natural history programmes. His trademark beard, larger than life personality and ability to make science understandable made him a popular addition to family viewing time. In 1990 he came to New Zealand to host Moa’s Ark, a landmark documentary series telling the history of our country’s unique evolutionary past. In recent years, Bellamy has become a more controversial figure with his claims that global warming is just part of the earth’s natural climate cycle.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
Apemen, Barbie dolls, and hairy shoes ... as this documentary demonstrates, hair turns up everywhere — or not, as one man's poignant and matter-of-fact testimony to the horrors of losing it demonstrates. Hair's co-director, artist Judy Darragh, uses her fascination with all-things hirsute as a springboard for wit, thought-provoking theories, and some unusual artwork. She also phones Welsh author Elaine Morgan, who believes our ancestors lost much of their hair thanks to a semi-aquatic past. Producer Fiona Copland joins Darragh as co-director.
One of the earliest films made by Roger Donaldson (Sleeping Dogs), this curio chronicles the dawning of the Age of Aquarius in Aotearoa. The made for TV film features interviews with those who've swapped walk shorts for wigwams to "start again". There's rebellion against all things straight, and rejection of the city in favour of getting back to nature. Folk songs are the soundtrack to hippies, outdoor bathing, "group touching", the Blerta bus, and DIY dome housing. Counterpointing the counterculture are 1984-style scenes of masked marchers representing the silent majority.
Why is New Zealand's landscape and flora and fauna so unique? In four-part series Moa's Ark, renowned English naturalist David Bellamy, with his impassioned enthusiasm and trademark beard (of "old man's beard must go" fame) goes on a journey to discover the answer. Directed and produced by Peter Hayden, this 1990 TV series was produced by Television New Zealand's award-winning Natural History Unit (now independent production company NHNZ). Read more about the series here.
In this short James Rolleston (Boy) stars as a Kiwi lad who banters with an elderly bearded fulla (Bruce Allpress) who claims to be God; the 'BMX Kid' challenges him to a Lake Wakatipu bomb competition to prove it. Kiwi stuntman/director Tim McLachlan's film was a finalist in Your Big Break, a filmmaking contest run by Tourism New Zealand which attracted over 1000 scripts from around the globe. Five finalists were given the chance to turn their scripts into a short film. The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
It's 1970s Wellington and Bob (Jeremy Stephens) is having a midlife crisis. Square-peg Graham (Bill Johnson, who later played Mr Wilberforce in Under the Mountain) tries to convince Bob to quit his bohemian lifestyle (and his lover/muse, played by Shirley Gruar) and return to his wife. But is Graham really acting in his mate's best interests? Featuring a young Sam Neill as the epitome of handsome, unfettered youth (flared jeans, bushy beard) this early, well-received TV drama was one of several produced by the NZ Broadcasting Corporation to tackle 'difficult' contemporary issues.
The fierce cold and awesome isolation of Antarctica is evoked in this 1980 NFU survey of scientific projects and life on New Zealand’s Ross Dependency. Geological and wildlife work is counterpointed by domestic details: a “housewifely” cleaning regime, an impressive liquor order, time-marking beards, and radio chatter at odds with the desolation. There’s poignant footage of one of the last sightseeing flights before the Erebus disaster; and the doco grapples with the uneasy possibility that research may lead to exploitation of the continent’s natural resources.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. A Dog's Show was familiar as a homespun in its long-running Sunday slot. The show featured sheepdog trials from around the country, with commentary provided by the wise, bearded John Gordon. In the final from a 1981 series, four farmers wield sticks and whistles, and put their dogs through their paces to wrangle the "sticky sheep". It's 1981, but the only riots here are ovine. Trivia: the opening tune is a version of the song 'Flowers on the Wall', also used in the film Pulp Fiction.