New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.

The primetime current affairs interview is the heavyweight contest of screen broadcasting. They can woo hearts and minds, speak truth to power, turn elections, end strikes, enrage or reveal subjects, and enshrine or tarnish reputations. This collection puts the spotlight on iconic Kiwi contributions to the genre, from headline-making clashes (Muldoon versus "smart alec" Walker, Clark versus "sanctimonious little creep" Campbell, Pilger versus "just read" Hill, Conner versus Holmes) to warmer encounters (David Frost charmed by Big Norm Kirk, Paul Holmes bemused by the Ingham twins).

This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

In this short Gallery interview — broadcast in June 1973 — Peace Media representative (and future TVNZ news boss) Bill Ralston talks about dwindling supplies for two private vessels that had left Aotearoa, to protest upcoming French nuclear testing at Mururoa Atoll. Ralston accuses Prime Minister Norman Kirk of being “a little bit heartless” for not assisting. Actually Kirk was realising plans for the HMNZS Otago to join the vigil. Protest yacht Fri was later stormed by French commandos, and the protests made world news. French nuclear testing in the Pacific finally ceased in 1996.

In September 1974, NZ reels from the premature loss of Norman Kirk — dead at 51 after just 20 months as prime minister. For this NZBC current affairs show, reporters Joe Coté and George Andrews head to the provinces to find out how Kirk is remembered by the ordinary men and women he valued so much. In less than stellar Labour strongholds in Central Otago and Taranaki, they meet people won over by a politician prepared to listen and treat them as equals. Their palpable affection is shared by Pacific leaders Gough Whitlam, Albert Henry and Michael Somare.

Loosely based on the case of a real-life computer dealer who acquired international bank records and later died mysteriously on Auckland Harbour Bridge, Spooked marked Geoff Murphy’s first local movie in 15 years (after time directing in Hollywood). Everyman Kevin (Christopher Hobbs) is caught up in a barrage of intimidation after buying some used computer equipment and unwittingly receiving corporate secrets; Cliff Curtis plays the journalist investigating his case. There are also rare cameos by director Vincent Ward and Goodbye Pork Pie star Kelly Johnson.

New Zealand politics was a gentler art in the pre-Muldoon early 1970s, when superstar English TV interviewer David Frost made the first of two series downunder. Here he talks to Prime Minister Norman Kirk, and opposition leader Jack Marshall. Kirk is assured and statesmanlike (an act that proves hard for Marshall to follow) as he discusses topics ranging from supporting beneficiaries, to opposing French nuclear testing. ‘Big Norm’ purposefully talks about being in the job for another 25 years. Tragically, he died in office 13 months later.

John Kirk, son of the late prime minister Norman Kirk, is Brian Edwards’ interviewee in this episode from a series featuring the children of famous parents. While undeniably proud of his father, he pulls few punches in describing how his family suffered from the often negative attentions of others, and the demands placed on Big Norm which competed with his role as a husband and father — and may ultimately have contributed to his early death. Kirk was an MP representing his father’s seat of Sydenham, but his political career would not be as illustrious.

In Scarfies, five Dunedin students find themselves in a free squat, and a dark place, after taking a criminal captive in their basement. The debut feature from Robert Sarkies starts as a comic tribute to Otago student days, then turns into a psychological thriller. Outside of the two Warriors movies, Scarfies was the most successful Kiwi release of the 90s on home turf. It went on to scoop best film, director and screenplay awards at the 2000 NZ Film and TV Awards. This excerpt sees the scarfies torn between dealing with the crim and a footy match at Carisbrook.