This edition of the early 90s magazine arts show begins with a visit to Auckland's Herald Theatre to preview a production of Romeo and Juliet, directed by Michael Hurst and starring 16-year-old actor Sophia Hawthorne. Raybon Kan explores fatal books; author Ian Cross is interviewed and Bill Ralston reviews Cross’s latest novel (with Ralston wanting to know why all New Zealand art is "so bleak, so barren"). Film Festival director Bill Gosden previews the event's programme, and comedy group Facial DBX is interviewed ahead of the Watershed Comedy Festival.
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
For more than two decades, Shirley Horrocks has been creating documentaries focussing on key figures from the New Zealand arts scene. Among her works are docos about photographer Marti Friedlander, artist Len Lye and playwright Roger Hall. She has also directed two science related films – Venus: A Quest and Paul Callaghan: Dancing with Atoms.
Tis the season to be toxic in this "distinctly Kiwi take on the f***ed up whanau" (Chris Knox, Real Groove). Broke, depressed oldest son Keri arrives home to face up to a suburban Christmas countdown and two messed up sisters, a gay brother, drunk kids, and narcoleptic parents. Director Gregory King wrests bleak comedy and holiday horrors from the tokes, tinsel and frequent toilet visits. The raw realism of his debut feature saw it selected for Toronto, Locarno, Edinburgh, and Melbourne festivals. It won best digital film and script at the 2003 NZ Film Awards.
Made to mark 100 years of women's suffrage in New Zealand, Bread & Roses tells the story of pioneering trade unionist, politician and feminist Sonja Davies (1923 - 2005), who rose to prominence in the 1940s and 50s. Directed by Gaylene Preston and co-written by Graeme Tetley, the acclaimed three-hour production played on television screens, and also got a limited cinema release. Australian actor Geneviève Picot (as Sonja Davies) and Mick Rose (as her husband) won gongs for their roles at the 1994 NZ Film and TV Awards. Bianca Zander writes about Bread & Roses here.
After time in print and television news, and nine years commanding the Wellington Film Festival, Shelton began his dream job — selling local films for the New Zealand Film Commission. During a 22 year run as the commission's first marketing director he handled sales for more than 60 feature films, including Goodbye Pork Pie, An Angel at My Table and Once Were Warriors.
Shirley Horrocks, ONZM, is one of New Zealand’s leading directors of documentaries about the arts. Her work has chronicled the work and lives of artist Len Lye, photographer Marti Friedlander, writer Albert Wendt and playwright Roger Hall. Her films have won awards, and screened at festivals from France and Italy to the United States.
A cameraman with over 50 years experience, Michael O’Connor joined the NZ Broadcasting Corporation as a trainee straight from high school. O'Connor went on to shoot some of New Zealand's most iconic dramas, from Under the Mountain to 1980s cop show Mortimer's Patch. His documentary work includes popular series Heartland and Epitaph, and directing Dalvanius, about singer Dalvanius Prime.
Chinese-Kiwi Roseanne Liang first made a splash with 2005 documentary Banana in a Nutshell, based on her own romance with a European Kiwi. Later she turned her experiences into acclaimed big screen rom-com My Wedding and Other Secrets. After making five seasons of web series Flat3/Friday Night Bites, Liang was confirmed to direct a feature-length version of her high profile action short, Do No Harm.
Described by author Emma Jean Kelly as a flamboyant "champion of New Zealand culture", Jonathan Dennis was the founding director of The Film Archive in 1981 and led the organisation into a bicultural era. Dennis, who headed the Film Archive for nine years, was praised for making films more accessible. He also made documentaries (Mouth Wide Open, Mana Waka) and presented Radio New Zealand's Film Show.