This NFU production covers the Shah of Iran’s first tour downunder, and uses the occasion to showcase New Zealand to international viewers: from scenery to topdressing, dental clinics and Wellington Girls’ College. The four day visit could be seen as a symbol of globalisation: NZ had been cut adrift by Britain and was looking for markets for its lamb, cheese and wool, and to secure oil supplies. The Shah needed food for his modernising petroleum exporting country. (The booming trade was to be curtailed by the 1979 Iranian Revolution, when the Shah was exiled.)
This 1975 general election leaders' debate sees Prime Minister Bill Rowling (Labour) square off against contender Robert Muldoon (National) in front of a panel (Bruce Slane, Gordon Dryden, David Beatson). Rowling had been in the job a year, after the death of Norm Kirk, and Muldoon paints him as a drifter in the face of the first oil shock. It was one of three pre-election specials made for NZ TV’s new second channel. This is filmed in black and white, but during this campaign National exploited newly-arrived colour TV via the infamous ‘Dancing Cossacks’ ads.
A Week of It was a pioneering satire series that entertained and often outraged audiences from 1977 to 1979, with its irreverent take at topical issues. The debut episode opens with an investigation into what Labour politician Bill Rowling is like in bed, and then Prime Minister Muldoon gets a lei (!). McPhail launches his famous Muldoon impression, Annie Whittle does Nana Mouskouri; and the Nixon Frost interview is reprised as a pop song. The soon to be well-known Gluepot Tavern skit wraps the show: "Jeez Wayne". McPhail writes about first launching A Week of It here.
TV1 celebrated Christmas by throwing most of its big names into this 1977 comedy/variety show. Ringleaders Roger Gascoigne and Nice One Stu's Stu Dennison are joined by a cavalcade of newsreaders hiding under Santa beards. Among the loopy 70s oddities on show: Brian Edwards in school uniform, channelling The Goons; Selwyn Toogood doing an It's in the Bag sketch that would nowadays likely be deemed too un-PC to make it to air; plus racehorse expert Glyn Tucker talking reindeer races. Madcap band Mother Goose also appear.
New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.
This Lookout special follows colourful property tycoon Bob Jones hustling on the 1984 campaign trail, and talking up his newly-formed New Zealand Party. The outspoken advocate for free market liberalisation drew crowds at halls across New Zealand. The Rocky theme music shamelessly plays as boxing fan Jones approaches the rostrum. The party was ultimately short-lived and won no seats, but achieved its goal of denying National a third term by splitting the vote. The documentary includes scenes of the libertarian attempting to dictate how television media filmed him.
John Clarke was one of New Zealand’s best-loved comic performers. His 1970s farming character Fred Dagg became an icon of Kiwi comedy. Clarke worked as a comedian, actor, writer and director. His satirical television series The Games was an Australian Film Institute award-winner. Although based in Australia since 1977, he lent his unmistakeable comic voice to Kiwi TV comedies bro’Town and Radiradirah. In a departure from our usual ScreenTalk format, this extended audio interview was produced and recorded by Andrew Johnstone and Richard Swainson with the assistance of Hamilton Community Radio and The Film School.
A Week of It co-creator David McPhail is a verifiable Kiwi comedy legend.
Funnyman actor Peter Rowley is best known for his appearances in a number of TV comedy shows including A Week of It, McPhail and Gadsby, The Billy T James Show, the self-titled Pete and Pio, with Pio Terei, and Letter to Blanchy. Rowley does, however, have a dramatic side which he has ably demonstrated in the feature films Savage Islands, Russian Snark and Netherwood.
Peter Rowley was in his early 20s when David McPhail asked him to audition for new comedy show A Week of It. Rowley talks in this Funny As interview about his long career, performing with Billy T James, and other subjects, including: Working as a stage manager at Christchurch's Court Theatre, before getting his break on A Week of It in 1977 — "It was just sensational, and it was groundbreaking" First meeting Billy T James in a corridor, and clicking with him straight away Giving up stand-up comedy in Australia to write and act in The Billy T James Show, and moving into Billy's house to write the series Hanging out of a helicopter for The Billy T James Show, and having "the most fun a guy could ever have" on accidents will happen comedy Letter to Blanchy Being a "bit difficult" while co-starring on comedy Pete and Pio in the 1990s Wearing an $8,000 wig for 2018 movie Mortal Engines (in which he played a slave trader) Note: For more on Billy T, check out this Funny As interview with Rowley and Billy T's former minder Rick Harris.