This episode of the long-running religious programme focuses on Auckland's Anglican Cathedral of the Holy Trinity. It features hymns from the Holy Trinity Choir and Auckland Choral Federation. The Graeme Thomson-hosted show also discusses the history and architecture of the cathedral following the completion of its nave in 1995. Built on land bought by Bishop Selwyn in 1859, the completed cathedral reflects the undulating landscape of Auckland, combining Gothic and Polynesian elements.
This eighth episode in the Landmarks series was the first episode filmed, to test how geographer Kenneth Cumberland handled being in front of the camera. On a Cook Strait ferry in a southerly, he begins exploring how trade and people have gotten about Aotearoa: from the “Māori main trunk line” (beach, water), sailing ships, Cobb & Co and ‘Shanks's Pony’, to the railways and Bob Semple’s roadmaking bulldozers.The episode ends with the national grid and airways, with a rocky landing at Wellington airport demonstrating that the wrestle with place is an unresolved one.
Another all in one shot beauty from director Joe Lonie, this gorgeously-crafted video was filmed in and around the historic St Stephen's Chapel above Auckland's Judges Bay and Parnell Baths. The camera floats through pohutukawa trees and Auckland pioneer gravestones as an ubiquitous Liam Finn exhorts everyone to gather by the chapel. The tiny, elegant church in question was built by Bishop Selwyn, and as it turns out, just around the corner from where Finn grew up. 'Gather to the Chapel' appears on his first solo album, 2007's I'll Be Lightning.
“The funniest, liveliest, most exuberant film ever made in New Zealand”. So said critic Nicholas Reid, a year after Came a Hot Friday became 1985's biggest local hit. Though Billy T’s loony Mexican-Māori cowboy is beloved by fans, he is but one eccentric here among many — as two scheming conmen hit town, and encounter bookies, boozers, country hicks, nasty crim Marshall Napier, and Prince Tui Teka playing saxophone. Until the arrival of The Piano in 1993, Ian Mune and Dean Parker’s award-loaded adaptation remained NZ's third biggest local hit. Ian Pryor writes about the film here.