By the mid 1980s Auckland had shifted from city of sails, to city of cranes. In the lead-up to the 1987 sharemarket crash, it was in the grip of "an unprecedented building boom". This 1986 Kaleidoscope report looks at the demolition and development from an architectural angle, as malls and mirror glass transform the city. Interviewees include developer Seph Glew of the (ill-fated) Chase Corporation, and his architects. Architecture critic Mark Wigley rates the BNZ Tower an "insult", but says Auckland's "crude" new buildings have at least provoked debate about what the city needs.
From humble beginnings in Wellington's working class Island Bay, Ron Brierley went on to become one of New Zealand’s wealthiest businessmen. This documentary tells the story of his meteoric rise. At its peak, Brierley’s company BIL held assets worth billions, and had 150,000+ Kiwi investors. Brierley gives his take on being ousted from BIL, and the company’s mixed fortunes in the 90s. Among those interviewed are Bob Jones and Roger Douglas. After leaving BIL, Brierley moved on to investment company Guiness Peat Group, and in 2012, Mercantile Investment Company.
Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.
The Elegant Shed was a six part doco series looking at NZ architecture since 1945. The influential series (and accompanying book) redefined Kiwi’s relationship to their built environment, celebrating the homespun and DIY (bach and boatshed, tramping huts, suburbia, small town main streets) as inspirations for a distinctly local architecture. Architect David Mitchell plays tour guide (replete with bohemian goatee and polyester suit), interviews key players (The Group, Ian Athfield) and surveys buildings from bespoke cribs to modernist towers.
With dapper architect David Mitchell as tour guide, The Elegant Shed was an influential six-part series looking for the local in NZ architecture. Here Mitchell looks at ‘The Extroverts’: a group of architects who transformed Wellington in the 70s and 80s. Ian Athfield and Roger Walker are interviewed about their projects (Ath’s sprawling hillside house, Walker’s Park Mews flats). He also examines the influence of Austrian emigre Ernst Plischke (Massey House), glass verandas (Oaks Arcade), and exalts in John Scott’s iconic bi-cultural building, Futuna Chapel.
In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
Merv Smith, Rob Campbell, Diamond Lil, and Mary Mountier are the guests on this 1980s chat show. Host Cathy Saunders talks to Smith about 20 years as Auckland’s number one radio host, before Smith takes over to interview Diamond Lil (aka female impersonator Marcus Craig), in a segment littered with innuendo. Campbell covers the contradictions of being a unionist on the BNZ board, and horse racing expert Mountier talks Kiwi thoroughbreds. Also appearing are Limbs Dance Company, Wellington band Hot Cafe, and 1985 Telequest winner Sharon Cunningham.
David Harry Baldock’s long TV career includes submarines, sea rescues, ailing prime ministers and psychics. The onetime editor began making his mark as a director and producer on current affairs and a run of documentaries. In 1988 he left state television to launch production company Ninox, whose prolific output would grow to include Sensing Murder, Mitre 10 Dream Home, award-winner Pacific Rescue and ambitious documentary series Our People Our Century.
The multi-talented Jim Hopkins started as a serious debater, but inspired by a more comedic style of debating, brought it to New Zealand shores.