It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lynn of Tawa.
In this special Easter episode of TVNZ’s Sunday morning mainstay, original Praise Be host Graeme Thomson introduces hymns from some of the country’s oldest churches. Throughout the country church choirs deliver praise, while Thomson offers intermittent quotes from the bible to remind viewers of the true meaning of Easter. The special includes a hymn performed inside Christchurch’s iconic cathedral, before it was destroyed in the 2011 quakes. Praise Be first debuted in 1986, and has been on air ever since, apart from two years off the air in the mid 2000s.
The war is Europe is over and New Zealanders take to the streets to celebrate in this NFU newsreel. The relief and excitement at the end of hostilities against Germany is clearly visible on the faces of the thousands who flood into New Zealand's towns and cities. But Deputy Prime Minister Walter Nash reminds the crowd the war is not over: Japan has yet to surrender. That doesn't stop wild celebrations following the National Declaration of Peace. Civilians and servicemen alike enjoy the party, many looking the worse for wear "in advanced stages of celebration".
This acclaimed TV series heads to Aotearoa’s heartland, dispensing with narration or a city slicker presenter so that local personalities can represent themselves. The opening episode travels to the West Coast to meet the 'Coasters' who live there: from publicans, prospectors and bushmen, to sheila truck drivers, knitting drag queens and musical theatre directors. The Dominion Post’s Karl du Fresne wrote of the show: "Producer Melanie Rakena has done a superb job seeking out engaging characters with interesting stories and allowing them to tell them in their own way."
This concert film captures When the Cat's Away during their first tour. Director Alan Thurston captures the high energy performance and pure joie de vivre of the five women vocalists, showing why the group became a Kiwi favourite. A set focusing on New Zealand songs, international hits of the period and soul classics proved irresistible on the pub circuit. The group would go on to score hit records and bigger shows (playing to 80,000 the following summer). But this was the moment they arrived. The film won best documentary at the 1988 Film and Television Awards.
Studio One belongs to a long line of talent shows stretching back to the earliest days of NZ television. In two parts, it featured an original song competition which attracted leading songwriters; and 'New Faces'. The latter was for newcomers to TV, and it introduced novelty acts and brass bands, but was also instrumental in launching the careers of Split Enz, Shona Laing and Space Waltz. Later judges including Howard Morrison, Nick Karavias and Phil Warren could be brutal when they wanted to be — and their catch-cry of "no lurex" became a national mantra.
Open House revolved around the ups and downs of a drop-in house run by Tony Van Der Berg (Frank Whitten, later Outrageous Fortune's Grandpa Ted). In this first episode there's money trouble, court trouble, domestics, a pregnant teenager and an abandoned baby ... but there's community spirit aplenty as the house's whānau prepares for its first birthday celebration, complete with Scottish brass band and Samoan drums. Tony's first lines to a raving old man on Petone Beach? "Good onya mate!". Features author Emily Perkins as Tony's idealistic stepdaughter.