This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
In this series about butchery, Ken Hieatt dons his apron and saw to teach meat cutting skills in the home. Standing in front of two beef carcasses, Hieatt explains the tools of the trade and how to keep knives sharp. After sharpening his knife on a stone, Hieatt displays his skills by trimming his arm hairs. Hieatt assures the viewer that if you cut a beef carcass with his special technique, "you'll end up not 100% butcher but not too bad." State television produced several short programmes like this, from five to 15 minutes long, as show "fillers".
In Episode Two of this series of The Big Art Trip, hosts Douglas Lloyd-Jenkins and Fiona McDonald visit the Grey Lynn home of painter Jacqueline Fahey and the downtown studio of photographer and rocketeer Yuk King Tan. Next they drive west to Laingholm and meet singer/songwriter Victoria (Taus) Girling-Butcher and her band Lucid 3. Then it’s back to Grey Lynn to meet artist John Reynolds and his oil stick paintings, and into the city to see the iconic Bushells sign and meet photographer Natalie Robertson, who is shooting a collection of NZ tea towels.
In this music-heavy web series, a South Auckland family competes in a local talent quest. Alongside battles over performing the traditional Samoan music favoured by their grandfather, the Saumalus have to deal with a dodgy competitor and some last minute changes of tune. There's also romance, heartbreak, and a shifty Palagi factory boss. The final episode (of 20) features behind the scenes bloopers. Directed by music video veteran Joe Lonie, The Factory began as a highly successful stage musical from South Auckland-based theatre group Kila Kokonut Krew.
In the final episode of the season, larrikin presenters Bill and Ben pretend to offend rugby league stars Monty Betham and Awen Guttenbeil (with a nod to American Beauty). The show's closing references the controversial finale of The Sopranos (complete with mocking soundtrack), and there are cameos from Karl Urban and Temuera Morrison. Ben revels in extended torture of Bill, while Auckland Blues coach Pat Lam concentrates on golfing. Elsewhere a shop dummy does some begging, and a unique interpretation of cross-training enrages a passing screen producer.
Designed to inspire school leavers to find their career, Pathways sees a selection of young New Zealanders talk about their job paths. The pilot episode of this 1994 Careers NZ resource is bookended with a 'mini-drama' about young people flatting together, which includes some familiar faces. Karl Urban plays lazy surfer Wayne, while Robbie Magasiva is the sales assistant whose plans of climbing the career ladder go awry. Marcus Lush plays a DJ who links a series of interviews with people either working or training. Later Lush interviews experts on youth employment prospects.
This animated short is set in "not so distant future" Aotearoa, where a plague has devastated livestock farming. The morbid nursery rhyme, narrated by Geraldine Brophy, tells of a scientist who creates a "different kind of meat from the resources still here". Matasila Freshwater's short was picked for the 'New Zealand’s Best' section of the 2016 NZ International Film Festival, by a team that included director Lee Tamahori (Once Were Warriors). It also screened at Spain's Sitges International Fantastic Film Festival, and won Best Animated Short at Sydney festival A Night of Horror.
In this second part of a documentary on Kiwis and cars, host Rita Te Wiata explores motoring in the latter half of the 20th Century. She begins in Christchurch where Ford V8s were a vehicle for post-war romance, then heads to Tahuna for beach racing. Te Wiata pockets the licence she supposedly got in part one and heads to Raglan to look at the car-enabled freedom of the 60s and 70s: surfing, fishing, caravans. While downsides are mentioned (motorways, pollution, accidents), mostly it’s a paean to petrolhead passion. The tour ends with a cruise up Queen St in a muscle car.
Charlotte Yates produced Ihimaera Live for the 2011 Auckland Arts Festival. The concert featured lyrics especially written by author Witi Ihimaera, set to music by 12 New Zealand composers and 55 musicians. This short documentary for Māori Television includes clips of the performances at Manukau's Events Centre, and interviews with Ihimaera and musicians Warren Maxwell, Horomona Horo and Waimihi Hotere as they search for the rhythm of word and sound. Yates and director Lala Rolls also collaborated on Tuwhare, which documented a musical tribute to Hone Tuwhare.
A talkback radio operator (Lucy Sheehan) is forced to stand in for the regular host when he walks out because of a personal crisis. In between trying to answer calls, organize a replacement and discuss odd topics with a succession of callers, the flustered operator makes a surprising connection with another lost soul. Auckland's urban soul is captured with distinctive assurance in this neglected 48-minute drama from director Alison Maclean — who wrote the script with Geoff Chapple.