Of the four performers on this episode of Pulp Comedy, Sam Wills arguably makes the most lasting impression. His fast-talking magic show is a far cry from his mute act The Boy With Tape On His Face (aka Tape Face), which later became a sensation via TV's America’s Got Talent. Although his Pulp Comedy performance is a lot more vocal than the one that would make his reputation, his quirky use of props is familiar. Elsewhere on the show Mike Loder has a dangerous encounter with a wētā, Vaughan King talks beds, and host Paul Ego gets in trouble trying to order a coffee.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Although Ginette McDonald's career is most associated with the gormless, vowel-mangling girl-from-the-suburbs: Lynn of Tawa, she is a woman of many parts. Alongside an extensive acting and presenting career, her work as producer and director spans three decades, and includes Shark in the Park, Gliding On, and kidult series The Fire-Raiser.