Eager to join the television industry, Janine Morrell-Gunn started off as an intern with TVNZ in 1985. She began by directing news and current affairs stories, before taking on various production roles on shows such as McPhail and Gadsby, Fast Forward, Spot On, and Beauty and the Beast. Morrell-Gunn was appointed Executive Producer of TVNZ’s Children’s Unit, but when this was moved to Wellington in the late 90s she opted to stay in Christchurch. With husband Jason Gunn, she set up Whitebait TV and has subsequently produced a myriad of children’s TV shows such as Bumble, Wannabes, and the re-launched What Now?.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
While convalescing down under Sir Charles Pemberton (Terence Cooper) schemes to build a thermal spa in the town of Wainamu c.1900. Conflict ensues as the spa’s planned location is on Māori land. The action is seen through the eyes of youngsters: hotelier’s son Tom, and Pemberton’s granddaughter Sarah Jane; who — along with an erupting volcano — eventually impart on Sir Charles a lesson about colonial hubris. The 13-part series was a marquee title from a golden age of Kiwi kidult telly-making: it won multiple Feltex awards, and screened on the BBC in 1980.
Geoff Murphy was the trumpet player who got Kiwis yelling in the movie aisles. His 1981 road movie Goodbye Pork Pie was the first big hit of the Kiwi film renaissance. He completed an impressive triple punch with the epic Utu, and Bruno Lawrence alone on earth classic The Quiet Earth. From early student heists to Edgar Allen Poe, this collection pays tribute to the late, great, laconic wild man of Kiwi film. Plus read background pieces written in 2013 by cinematographer Alun Bollinger, friend Roger Donaldson, writer Dominic Corry and early partner in crime Derek Morton.
This Feltex award-winning kidult series is set in the colonial town of Wainamu in 1900, amidst the North Island’s ‘thermal wonderland’. It follows the challenges that Sir Charles Pemberton (Terence Cooper) faces in building a spa on Māori land. In this first episode, local lad Tom, son of the hotelier, is irritated by the arrival of Sir Charles and his aristocratic entourage (particularly granddaughter Sarah Jane, also known as “Little Miss Prim”). Their train is late after being spooked by natives. Tom's gang of shanghai-toting scallywags also take on the mean local butcher.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
Blue tells the story of a fallen kids’ television mascot, reduced to working as a waiter in an Asian restaurant. Blue keeps his happy face on as he serves customers food; occasionally he's recognised from his screen fame days, but mostly he's ignored. Then one day bad news arrives. The urban alienation themed film was named Best Short in the Critics' Week section of the Cannes Film Festival, after just 10 films were selected from 1250 entries. Korean-born Stephen Kang moved to New Zealand in 1993; his digital feature Desert was released in Kiwi theatres in 2011.
Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
Some of New Zealand's most memorable screen images have come from the genre of science fiction: Bruno wandering man alone onto Eden Park in a nightie; giant slugs living under Rangitoto. From alien hunters to futuristic fuel wars to nuclear volcanoes, this collection is a showcase of film and TV that has imagined 'what if?' versions of life in the shaky isles.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.