This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
In Larger than Life Jo (Rebecca Hobbs, star of horror tale The Ugly) discovers her new house is inhabited by an array of mutant arachnids, each larger than the last. Kiwi writer/director Ellory Elkayem cleverly melds puppetry and digital effects to give his spiders maximum yuck factor, while the violin-fuelled soundtrack pays spirited homage to the 50s monster movies (Them!, Tarantula) which inspired the whole enterprise. After the success of this spider tale, Hollywood called: Elkayem answered with bug tale They Nest, and comical spider epic Eight Legged Freaks.
Craig Potton — renowned photographer and conservationist — is New Zealand coastal tour guide in this five part South Pacific Pictures’ series. In this excerpt from the opening episode Potton gets choppered in by his mate, legendary pilot Richard ‘Hannibal’ Hayes, to explore the edges of the Fiordland wilderness. The duo camp on Hayes’ ex-navy vessel moored in Breaksea Sound; and retrace Captain Cook’s star-gazing route in Dusky Sound (where Cook brewed the first beer in NZ). Then Potton frames the epic limestone landscape of Chalky Inlet through his camera lens.
This collection of clips from afternoon children's slot Nice One starts with a silent movie-style scene accompanied by the title song as host Stu Dennison larks about Lower Hutt on roller skates, crashes his chopper cycle, and gives his famous thumbs up. Next come a series of jokes, most of them involving Stu facing off in a classroom against a disapproving teacher. For three years in the mid 1970s, the bearded, slightly naughty schoolboy was one of the most beloved characters on local television.
This documentary tells the epic story of helicopter deer culling in the Southern Alps. Introduced deer had become destructive environmental pests; in the 60s entrepreneurs shifted culling from ‘man alone’ to machine-driven hunting, as deer were shot then later captured alive from helicopters. Deer Wars — Top Gun in choppers, over the beech forest — revisits the heady ‘gold rush’ days, when heli-cowboys calculated often fatal pay-offs between risk and reward. It features interviews with survivors and fearsome footage of men hanging from helicopters and leaping onto deer.
The subject of this interview is Greg Rodgers, a Flight Sergeant in the RNZAF in Vietnam and Malaya. Rodgers joined the air force after college, and trained as a mechanic. He talks about the bond between ground crew and pilots, and the responsibility of having a pilot’s life in his hands at age 18. Rodgers also mentions off-duty good times (including jumping from choppers into the sea, before being wet-winched up again) and reflects on bad times after returning to civilian life: official neglect ("there was no support"), and the shock of leaving his Air Force "family".
This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway. Bikies was banned by the NZBC — possibly due to the public urination, lane-crossing, chauvinism and pig's head activity.
Since 2009, the contribution of 7 Days to the Kiwi comedy scene has been enormous. In this video celebrating NZ On Air's 30th birthday, former executive producer Jon Bridges traces the show's history back to a group of comedians deciding to film a pilot in TV3's basement. Since then the irreverent, topical panel show has become a Friday night staple. To the comedians and writers, it's a vital place to hone skills and build a career. Host Jeremy Corbett argues that the key to 7 Days' success is relatability: Kiwi audiences feel like they can 'join in' the conversation— and the insults.
Introduced to New Zealand in 1851, red deer soon became controversial residents: sport for hunters, but despised by farmers and conservationists for the damage they caused. First targeted by government cullers in the 1930s, by the 60s they were shot by commercial operators for venison export. Directed by Bruce Morrison and Keith Hunter, this award-winning documentary catches up with the hunt in the 70s, when deer for farming – dramatically caught alive, from helicopters – was a multi-million dollar gold rush. Different versions of the film were made for overseas markets.
It's Friday 4th December, 2015 and panel series 7 Days is celebrating its 200th episode with a live audience at the Auckland Town Hall. Everyone is up for a party, and nothing says 'party' more than guest Tim Shadbolt jumping out of a giant cardboard cake. The recipe is the same, but longer: two teams of comedians lead by regulars Paul Ego and Dai Henwood compete for wildly erratic points, but for this episode 7 Days becomes 7 Years, as the panel riff off news stories dating from 2009 when their first episode aired, through to 2015. Jon Toogood and choir Viva Voce guest star.