This collection shines a spotlight on all things dance-related. On pointe are ballet gems from the 1960s, 80s and the 90s, and ballroom dancing from Dancing with the Stars and Top Dance. Hip hop busts out some moves in The Palace, led by choreography sensation Parris Goebel. Also featured are contemporary dancers Douglas Wright (who turns up in multiple titles), Black Grace, Mary Jane O'Reilly, Taiaroa Royal and Michael Parmenter. And on the not so serious front, Suzanne Paul gets funky doing the 'Blue Monkey'.
In 1989 dancer Douglas Wright returned home to choreograph and form his own company. This half-hour TV documentary, marking the launch of his work Gloria, looks back on a blossoming career that began at 21 — when he took up ballet to overcome a heroin addiction. After becoming a star with Limbs, Wright joined prestigious troupes in London and New York. Now, as opening night looms, he is acutely aware of the danger of pushing his dancers too hard as he fights to get the best out of them on an ambitious, demanding piece. Douglas passed away in November 2018.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer/choreographer Mary Jane O'Reilly marks the launch of her new company Auckland Ballet. The founder of the celebrated Limbs Dance Company talks about still being involved in dance in her mid-40s, the formation of her new company, the similarities and differences between ballet and contemporary dance, and her move into making dance films. The item also features excerpts from some of O'Reilly's dance works.
This National Film Unit doco illustrates the early days of the Royal New Zealand Ballet. Performances from the company’s touring program include Bournonville’s Napoli, kiwi Arthur Turnbull’s Do-Wack-A-Do, a quirky 1930s flapper themed production (also with a NZ composer, Dorothea Franchi) and the tulle and poise of Fokine’s Les Sylphides. Prismatic Variations, choreographed by ballet company founder Poul Gnatt, and produced by another dance icon Russell Kerr, is the finale for this tribute to those who have made New Zealanders “ballet conscious.”
Haunting Douglas is a documentary portrait of dancer and choreographer Douglas Wright. It weaves interviews with footage of past performances, and extracts from his autobiography; from drug addiction and illness, to determination and triumph on the New York stage with the Paul Taylor Dance Company. Award-winning director Leanne Pooley captures Wright's resilience: "I need to make things to feel that I can cope with whatever reality is. For me, dancing, performing for people, is the ultimate mystery and the ultimate joy." Wright passed away in November 2018.
This TVNZ production showcases the phantasmagoria of fashion and theatre that is the Montana World of Wearable Art Awards. Models, performers, designers and founder Suzie Moncrieff are interviewed behind the scenes; then the creations take to the TSB Arena stage. A headliner of Wellington’s events calendar, WOW moved to the capital from Nelson in 2005. Breakfast TV hosts Sarah Bradley and ex-Tall Black Brendon Pongia present the awards, crowning ovine-themed ‘Rattle Your Dags’ 2007's supreme winner. Amazing Race host Phil Keoghan appears as a mad hatter.
Shoes is a refugee's story told with rhythm and shoes. A woman seeking shelter in a new country arrives at a railway station troubled by turbulent thoughts of her past. Walking past a shop window, she sees some familiar-looking, worn-out shoes which trigger more memories. Pairs of dancing shoes eloquently recreate her journey from dance hall to war zone. Directed by Sally Rodwell, founding member of alternative theatre troupe Red Mole, Shoes screened at international festivals including Montreal and Hof.
Arts magazine series For Arts Sake screened on TV One for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer and choreographer Michael Parmenter features an in-depth interview with Parmenter (by series presenter Alison Parr) and excerpts from his dance works. Parmenter talks about his creative influences, his tough upbringing in conservative Invercargill, the tensions caused by being gay and in the Brethren Church when he was younger, and the impact of his illnesses (HIV and cancer) on his life and dance career.
This Māori Television series follows South Auckland dance crew The Palace as they prepare for the World Hip Hop Dance Championships, and a shot at their fourth title. This first episode films open auditions where dancers, including two gay brothers from Tokoroa, hope to join 'The Royal Family'. Led by choreographer Parris Goebel — who talks here about her method and early days — the crew have won global fame, including bringing its 'Polyswagg' to the hit video for Justin Bieber’s Sorry. There are also scenes of Goebel choreographing 2015 Kiwi movie Born to Dance.
Although made to showcase female singers, late 60s series A Girl to Watch Music By is possibly best remembered for the moment Ray Columbus became a puppet. In this episode host Columbus played ventriloquist's dummy, sitting on Max Cryer's knee. Wrote Cryer later in his book Town Cryer: "it looked very funny and we knew it and set to work on the choreography immediately." The song is called 'Where Would You Be Without Me'. The ventriloquist idea was the brainchild of broadcaster and former dancer Cherry Raymond.