A big budget New Zealand-French-Australian co-production, kidult series Deepwater Haven screened on TV2. It followed the fortunes of Waitemata Harbour tugboat skipper Jack Wilson (Vince Martin of Beaurepairies advertising fame) and his two kids, Georgie (Jay Saussey) and Peter (Peter Malloch). This opening episode sees Jack struggling to keep his business afloat; the local cafe is burgled; and Peter, marooned at a dry dock while on the run from bullies, is rescued by a street kid (future Pluto singer Milan Borich). Saussey won a NZ Film and TV Award for her role.
This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.
This 1988 film details a mission by 100 men to paddle a huge waka taua (war canoe) from Waitangi to Whangaroa, chronicling their spiritual and physical journey en route. The camera takes in training, the gruelling 10 hour, 70 kilometre passage, and the vessel's arrival in Whangaroa Harbour to mark Whangaroa County’s centennial. The waka, Ngātokimatawhaorua, was named after Kupe’s original ocean-voyaging canoe. Beached at Waitangi Treaty Grounds, it is the largest waka in existence. This was veteran filmmaker Tainui Stephens' first documentary as a director.
This 1989 chat show saw Gary McCormick invite guests onto his sofa for a cuppa. First up is WWF wrestler Don 'The Rock' Muraco. Unfazed by being called an ugly baby, the Hawaiian warns the kids to not try his wrestling moves (or crystal meth) at home and demonstrates a hold on the host. He's joined by actor Ian Watkin who talks about being a coaster, Blerta and cricket fandom. The show was directed by Bruce Morrison (Heartland) and produced by Finola Dwyer (Oscar-nominated for An Education); who teamed with McCormick on the acclaimed Raglan by the Sea doco.
Dunedin barrister Alf Hanlon’s first — and most famous — defence case was the first episode in this award-winning drama series about his career. In 1895, alleged baby farmer Minnie Dean was charged with murdering two infants in her care. Hanlon’s inspired manslaughter defence was undermined by the judge’s direction to the jury; and Dean became the only woman to be hanged in NZ. Hanlon vowed none of his future clients would ever suffer this fate. Emmy-nominated and a major critical success, the episode contributed to a re-evaluation of Dean’s conviction.
Long before the comedy of Flight of the Conchords, Heroes followed the triumphs and pitfalls of a band trying to make it in the mid-80s New Zealand music biz. It marked the first major role for Jay Laga’aia, and early leading parts for Michael Hurst and Margaret Umbers. In this first episode the band gets together as Dave (Hurst) ditches his covers band, flunks a TV audition, and hooks up opportunist flatmate Ron (Laga’aia), synth player Peter (John Gibson, who co-wrote the series music) and bass player Maxine (Umbers). Synth and leopard skin abound.
Heroes followed a band trying to make it in the mid-80s music biz. Teen-orientated, the show marked a first major role for Jay Laga’aia (Star Wars), and an early gig for Michael Hurst (with blonde Billy Idol spikes). Band keyboardist John Gibson co-wrote the series music; he later became an award-winning film composer. Margaret Umbers (Shortland Street, Bridge to Nowhere) was a non-musician in the cast (with Hurst), but since has sung regularly in a jazz band. A second series follow in 1986.
A law change in the 1980s gave mentally-handicapped children the right to be educated at New Zealand state schools. This 1991 doco examines the pros and cons of mainstreaming special needs children, by looking at the schooling of severely brain-damaged child Jessica Palmer. Teachers both for and against mainstreaming are interviewed, alongside Jessica's parents. Palmer's teacher Sue Dunleavy admits there have been noise issues at times, but thanks to Jessica's presence her classmates have "learnt acceptance and caring and understanding, and it's taken the fear away."