This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and movie Broken English. Wright passed away in 2018.
As the trailer makes clear, this award-winning animated short film has a key ingredient for a pulp movie: cardboard. It also features car chases, explosions and a fire brigade fighting to save Cardboard City (including The Beehive and Sky Tower). Director Phil Brough collaborated on the script with fellow Back of the Y alumnus Matt Heath. Leigh Hart and Jeremy Wells are among the voices in the film, which was six years in the making. Fire in Cardboard City was selected for the 2018 Berlin and Tribeca film festivals, and won Best New Zealand Film at the 2017 Show Me Shorts Film Festival.
In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
Peking Man's self-titled album took away a stack of awards in 1986. It also spawned chart-topper 'Room that Echoes', followed by number six hit 'Good Luck to You'. Directed by The Piano lensman Stuart Dryburgh, thw NZ Music Award-nominated video highlights sibling singers Pat and Margaret Urlich, sax and gel-assisted hairstyles. The Auckland cityscape is littered with construction cranes and glass high rises, shortly before the stock market crash of 1987; and legendary central city cafe DKD (at the back of the Civic Theatre) also takes a starring role.
Off his own bat, Ilam art student Glenn Standring got his third-year short into competition at the Cannes Film Festival. The minimal plot — hipster private eye Lenny Minute dryly narrates, before facing his nemesis, a rampaging giant blue “sheila doll” — allows Standring to conjure up a distinctive collage-styled cityscape, mined from a grab-bag of Americana inspirations: 50s sci-fi, jazz, the hardboiled detectives of Dashiell Hammett, and star Marlene Dietrich. After this early computer-aided short, Standring joined the Gibson Group as an animator, then directed two stylish features.
Mark Trethewey's extraordinary clip successfully captures an unsettling techie, industrial vibe, complete with strangely beautiful post apocalyptic cityscapes, and striking special effects. Skillfully edited, the video adheres faithfully to the intricacies of this DnB colossus, affording the track spectacular depth and authority.
In this full-length Intrepid Journey actor/director Katie Wolfe takes her "appalling sense of direction" to China, a country caught between old ways and new. Wolfe travels by plane, boat, cyclo and train, which she calls "the perfect way to travel". She does three days in the Blade Runner-like cityscapes of Shanghai, where she meets an 86-year-old dancer, and visits the Forbidden City of Beijing. Wolfe also heads up the Yangtze River, visiting ghostly cities and apartment blocks, drained of people by major dam construction — before stumbling upon a most effective way to haggle.
This Geoff Steven doco follows NZ chefs Stephen Randle and Neville Ballantyne to a bitterly cold northern Japanese winter to compete in an international snow carving contest. Their entry, a sheep dipping scene created out of a 26 tonne block of snow, manages to look even more surreal in the icy Sapporo cityscape than the British team’s London double decker bus. Spirited competition in sub-zero temperatures produces an America’s Cup style rules controversy, but there’s light relief from the hard partying alternative American team from Portland, Oregon.
Strawpeople Paul Casserly and Mark Tierney took themselves to Hong Kong (with guest vocalist Leza Corban) for this video. Corban's jazzy vocal and the chilled beats contrast with the hustle and bustle of the cityscape (still under the flight path of Kai Tak airport at the time). The trumpet is courtesy of Greg Johnson and the sampled voice is Richard Nixon talking to the Apollo 11 astronauts on the moon. Co-written by Tierney and Casserly with Anthony Ioasa, Sweet Disorder won the 1995 APRA Silver Scroll for songwriting, plus the songwriting gong at the 1996 NZ Music Awards.
Featuring chase scenes, hovering helicopters and breathtaking South American scenery, the video for 'Far From Here' sees Vince Harder on the run from police in the Chilean capital, Santiago. Harder moves across cityscapes, villages and mountain ridges, and even finds time to perform in front of a spectacular Andean backdrop, while evading capture. Harder rose to fame after coming third in the Australian edition of US show The X-Factor, and had a number one hit after collaborating with P-Money on 2010's 'Everything'. The video was shot and directed by Shae Sterling.