This short documentary series looked at New Zealand's landscape art from the arrival of Pākehā up until the 1980s. The four episodes moved from the development of a local version of the European tradition (through artists such as John Gully and Petrus van der Velden) through to the homegrown modernism emerging in the 20th Century: the distinct hard-edged styles of Binney, White and Smither, the spiritual abstracts of McCahon and Woollaston, to the later impact of Māori artists like Hotere, Whiting and Kahukiwa.
Parliament’s art collection is showcased in this excerpt from the mid 90s arts series. Curator Jane Vial and Parliamentary Services Deputy Manager Beth Bowen are tour guides to some of the paintings and objects making up a then 1000 strong collection, which began in the 1870s. They include gifted works, like a portrait of the first Northern Māori MP Ihaka Te Tai Hakuene, and commissioned works from artists. Artworks are shown from John Drawbridge, Cliff Whiting, Robin Kahukiwa, and Guy Ngan (whose large-scale hangings adorn The Beehive’s Banquet Hall).
This documentary is a view into the crucible that forged museum Te Papa, which opened on Wellington's waterfront in February 1998. Fascinating fly-on-the-wall moments are captured as a new kind of national museum is conceived. This excerpt features a board meeting where Saatchi & Saatchi present branding options. As political, ideological, creative and commercial considerations collide, the frustrations of decision making by committee are palpable: the body language, tears, cautions, grumbles, and finally, smiles, as they settle on the contentious thumbprint logo.
Steve La Hood began directing on soap opera Close to Home, and went on to direct tele-play Swimming Lessons, Bruno Lawrence documentary Numero Bruno and episodes of Shark in the Park and Shortland Street. He also produced ground-breaking series The Marching Girls. These days he creates multimedia attractions around the globe with company Story Inc, alongside James McLean.