Dave Dobbyn in Concert is weighed strongly towards songs from Twist, the 1994 album that NZ Herald writer Graham Reid described as "breathtaking in its daring, ambition and reach". Dobbyn performs alongside a band which includes Twist producer Neil Finn. Although the offkilter soundscapes of the album are necessarily cut back on stage, Twist's strong musical bones remain clear. 'It Dawned on Me' showcases the curly-haired one in especially fine voice, while hit single 'Language' works wonders when stripped back to Dobbyn, Finn and twin acoustic guitars.
Country music singer Suzanne Prentice is given the all-star treatment with this concert special. A major production from an apparently lost era of light entertainment, it was recorded at the Christchurch Town Hall by a crew who had honed their skills on That’s Country. Prentice is backed by the Roger Fox Band, vocalists The Yandall Sisters and Tom Sharplin, and a string section from the Christchurch Symphony Orchestra. Elvis Presley hits and an Anne Murray medley feature in a set list which culminates in an epic version of ‘How Great Thou Art’.
In 1982 renowned Russian pianist Vladimir Ashkenazy toured New Zealand. With the combined support of TVNZ, Radio New Zealand and the NZ Symphony Orchestra, a one-off televised concert was arranged. Ashkenazy plays two pieces backed by the NZSO at the Auckland Town Hall, after an interview by Ian Fraser, in which the pianist praises the NZSO's ability to handle a piece he describes as "almost unplayable in parts". In the second clip, he plays Béla Bartók’s Second Concerto, and in the third clip — which appears never to have gone to air — César Franck’s Symphonic Variations.
This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
Sir Howard Morrison (1935 - 2009) was a Kiwi show business icon. This collection is a celebration of 'Ol' Brown Eyes' on screen. From classic concerts and performances of 'Whakaaria Mai', to riffing with with Billy T James; from hosting Top Town, to starring in 60s feature film Don't Let it Get You, to a This is Your Life tribute. Ray Columbus: "He was a master entertainer".
Director Chris Graham planned an ambitious video for this song, but budget and scheduling got in the way. When Graham heard TrinityRoots were disbanding, he pitched the idea of a live video at their farewell concert in the Wellington Town Hall. Mixing in footage of land and sea, the result honours one of their anthems and captures a glimpse of the original line-up in their soulful, impassioned element. TrinityRoots regrouped in 2010, but this video preserves the final moments of their first incarnation; when their one waka was turning into three.